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The Latino/a canon and the emergence...
~
Dalleo, Raphael.
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The Latino/a canon and the emergence of post-sixties literature
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Latino/a canon and the emergence of post-sixties literature/ by Raphael Dalleo and Elena Machado Sâaez.
Author:
Dalleo, Raphael.
other author:
Machado Sâaez, Elena.
Published:
New York :Palgrave Macmillan, : 2007.,
Description:
x, 205 p.
[NT 15003449]:
Sell Outs? Politics and the Market in Post-Sixties Latino/a Literature* Periodizing Latino/a Literature Through Pedro Pietri?s Nuyorican Cityscapes * Mercado Dreams: The End(s) of Sixties Nostalgia in Contemporary Ghetto Fiction * Movin? on Up and Out: Engaging Lowercase Latino/a Conversations with Junot íDaz and Angie Cruz * Latino/a Identity and Consumer Citizenship in Cristina Garcia?s Dreaming in Cuban * Writing in a Minor Key: Postcolonial and Post-Civil Rights Histories in the Novelsof Julia Alvarez.
Subject:
American literature - Hispanic American authors -
Online resource:
http://link.springer.com/10.1057/9780230605169access to fulltext (Palgrave)
ISBN:
0230605168
The Latino/a canon and the emergence of post-sixties literature
Dalleo, Raphael.
The Latino/a canon and the emergence of post-sixties literature
[electronic resource] /by Raphael Dalleo and Elena Machado Sâaez. - 1st ed. - New York :Palgrave Macmillan,2007. - x, 205 p.
Includes bibliographical references (p. [187]-196) and index.
Sell Outs? Politics and the Market in Post-Sixties Latino/a Literature* Periodizing Latino/a Literature Through Pedro Pietri?s Nuyorican Cityscapes * Mercado Dreams: The End(s) of Sixties Nostalgia in Contemporary Ghetto Fiction * Movin? on Up and Out: Engaging Lowercase Latino/a Conversations with Junot íDaz and Angie Cruz * Latino/a Identity and Consumer Citizenship in Cristina Garcia?s Dreaming in Cuban * Writing in a Minor Key: Postcolonial and Post-Civil Rights Histories in the Novelsof Julia Alvarez.
In the first study of Latino/a literature to systematically examine the post-Sixties generation of writers, The Latino/a Canon and the Emergence of Post-Sixties Literature challenges the ways that Latino/a literary studies imagines the relationship of art, politics and the market.Dalleo and Machado áSez engage with the major critics from the field to dispute the consensus view of Latino/a literature from the 1960s as politically committed and resistant to the market versus the literatureof the 1990s as apolitical and assimilationist due to its commodification. This study argues that post-Sixties writers Pedro Pietri, Ernesto Quñionez, Abraham Rodriguez, Junot íDaz, Angie Cruz, Cristina Garcia andJulia Alvarez have not abandoned politics, but are imagining creative strategies forrevitalizing progressive thought through the market.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230605168
Standard No.: 10.1057/9780230605169doiSubjects--Topical Terms:
618321
American literature
--Hispanic American authorsIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PS153.H56 / D35 2007eb
Dewey Class. No.: 810.9/868
The Latino/a canon and the emergence of post-sixties literature
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Sell Outs? Politics and the Market in Post-Sixties Latino/a Literature* Periodizing Latino/a Literature Through Pedro Pietri?s Nuyorican Cityscapes * Mercado Dreams: The End(s) of Sixties Nostalgia in Contemporary Ghetto Fiction * Movin? on Up and Out: Engaging Lowercase Latino/a Conversations with Junot íDaz and Angie Cruz * Latino/a Identity and Consumer Citizenship in Cristina Garcia?s Dreaming in Cuban * Writing in a Minor Key: Postcolonial and Post-Civil Rights Histories in the Novelsof Julia Alvarez.
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In the first study of Latino/a literature to systematically examine the post-Sixties generation of writers, The Latino/a Canon and the Emergence of Post-Sixties Literature challenges the ways that Latino/a literary studies imagines the relationship of art, politics and the market.Dalleo and Machado áSez engage with the major critics from the field to dispute the consensus view of Latino/a literature from the 1960s as politically committed and resistant to the market versus the literatureof the 1990s as apolitical and assimilationist due to its commodification. This study argues that post-Sixties writers Pedro Pietri, Ernesto Quñionez, Abraham Rodriguez, Junot íDaz, Angie Cruz, Cristina Garcia andJulia Alvarez have not abandoned politics, but are imagining creative strategies forrevitalizing progressive thought through the market.
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access to fulltext (Palgrave)
based on 0 review(s)
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W9088622
電子資源
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