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Staging black feminisms = identity, ...

Goddard, Lynette, (1966-)

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Staging black feminisms = identity, politics, performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging black feminisms/ Lynette Goddard.
Reminder of title:	identity, politics, performance /
Author:	Goddard, Lynette,
Published:	Basingstoke ;Palgrave Macmillan, : 2007.,
Description:	ix, 229 p.
Series:	Performance interventions
[NT 15003449]:	PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
Subject:	Black theater - History - 20th century. - Great Britain -
Online resource:	http://link.springer.com/10.1057/9780230801448access to fulltext (Palgrave)
ISBN:	0230801447

Staging black feminisms = identity, politics, performance /
Goddard, Lynette,1966-

Staging black feminismsidentity, politics, performance /[electronic resource] :Lynette Goddard. - Basingstoke ;Palgrave Macmillan,2007. - ix, 229 p. - Performance interventions.

Includes bibliographical references (p. 198-220) and index.

PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?

Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230801447

Standard No.: 10.1057/9780230801448doiSubjects--Topical Terms:

619284
Black theater
--History--Great Britain--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2595.13.B34 / G63 2007eb

Dewey Class. No.: 792.089/96041

Staging black feminisms = identity, politics, performance /
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245 1 0 $a Staging black feminisms $h [electronic resource] : $b identity, politics, performance / $c Lynette Goddard.
260 $a Basingstoke ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a ix, 229 p.
440 0 $a Performance interventions
504 $a Includes bibliographical references (p. 198-220) and index.
505 0 $a PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
520 $a Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Black theater $z Great Britain $x History $y 20th century. $3 619284
650 0 $a English drama $x Black authors $x History and criticism. $3 619288
650 0 $a English drama $x Women authors $x History and criticism. $3 593154
650 0 $a English drama $y 20th century $x History and criticism. $3 593157
650 0 $a Feminist theater $z Great Britain $x History $y 20th century. $3 619285
650 0 $a Lesbian theater $z Great Britain $x History $y 20th century. $3 619286
650 0 $a Women in the theater $z Great Britain $x History $y 20th century. $3 619287
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230801448 $z access to fulltext (Palgrave)