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Re-framing the theatrical = interdis...

Oddey, Alison, (1954-)

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Re-framing the theatrical = interdisciplinary landscapes for performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Re-framing the theatrical/ Alison Oddey.
Reminder of title:	interdisciplinary landscapes for performance /
Author:	Oddey, Alison,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:	xii, 251 p. :ill.
[NT 15003449]:	Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul andrebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The artof sound: auditory directions-- Performing silence.
Subject:	Performing arts - Philosophy. -
Online resource:	http://link.springer.com/10.1057/9780230590724access to fulltext (Palgrave)
ISBN:	0230590721

Re-framing the theatrical = interdisciplinary landscapes for performance /
Oddey, Alison,1954-

Re-framing the theatricalinterdisciplinary landscapes for performance /[electronic resource] :Alison Oddey. - Basingstoke [England] ;Palgrave Macmillan,2007. - xii, 251 p. :ill.

Includes bibliographical references (p. 219-238) and index.

Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul andrebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The artof sound: auditory directions-- Performing silence.

Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundariesof categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, andhow the work becomes meditative and spiritual. In questioning the role of the spectatorand the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230590721

Standard No.: 10.1057/9780230590724doiSubjects--Topical Terms:

680388
Performing arts
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1584 / .O33 2007eb

Dewey Class. No.: 791.01

Re-framing the theatrical = interdisciplinary landscapes for performance /
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245 1 0 $a Re-framing the theatrical $h [electronic resource] : $b interdisciplinary landscapes for performance / $c Alison Oddey.
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300 $a xii, 251 p. : $b ill.
504 $a Includes bibliographical references (p. 219-238) and index.
505 0 $a Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul andrebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The artof sound: auditory directions-- Performing silence.
520 $a Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundariesof categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, andhow the work becomes meditative and spiritual. In questioning the role of the spectatorand the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Performing arts $x Philosophy. $3 680388
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230590724 $z access to fulltext (Palgrave)