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Filming Shakespeare in the global ma...

Burnett, Mark Thornton.

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Filming Shakespeare in the global marketplace

Record Type:	Electronic resources : Monograph/item
Title/Author:	Filming Shakespeare in the global marketplace/ Mark Thornton Burnett.
Author:	Burnett, Mark Thornton.
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:	xi, 227 p. :ill.
Series:	Palgrave Shakespeare studies
[NT 15003449]:	Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
Subject:	Culture and globalization. -
Online resource:	http://link.springer.com/10.1057/9780230800809access to fulltext (Palgrave)
ISBN:	0230800807

Filming Shakespeare in the global marketplace
Burnett, Mark Thornton.

Filming Shakespeare in the global marketplace[electronic resource]/Mark Thornton Burnett. - Basingstoke [England] ;Palgrave Macmillan,2007. - xi, 227 p. :ill. - Palgrave Shakespeare studies.

Includes bibliographical references (p. 193-212) and index.

Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.

This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230800807

Standard No.: 10.1057/9780230800809doiSubjects--Personal Names:

1037499
Shakespeare, William,
1564-1616--Film adaptations.Subjects--Topical Terms:

621393
Culture and globalization.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR3093 / .B87 2007eb

Dewey Class. No.: 791.43/6

Filming Shakespeare in the global marketplace
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020 $a 0230800807
020 $a 9780230800809
024 7 $a 10.1057/9780230800809 $2 doi
035 $a Palgrave
035 $a 902987
040 $a UKPGM $b eng $c UKPGM $d OCLCA $d IDEBK
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049 $a APTA
050 1 4 $a PR3093 $b .B87 2007eb
082 0 4 $a 791.43/6 $2 22
100 1 $a Burnett, Mark Thornton. $3 911392
245 1 0 $a Filming Shakespeare in the global marketplace $h [electronic resource]/ $c Mark Thornton Burnett.
260 $a Basingstoke [England] ; $a New York : $c 2007. $b Palgrave Macmillan,
300 $a xi, 227 p. : $b ill.
440 0 $a Palgrave Shakespeare studies
504 $a Includes bibliographical references (p. 193-212) and index.
505 0 $a Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
520 $a This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
600 1 0 $a Shakespeare, William, $d 1564-1616 $v Film adaptations. $3 1037499
650 0 $a Culture and globalization. $3 621393
650 0 $a Culture in motion pictures. $3 598199
650 0 $a English drama $v Film adaptations. $3 1081880
650 0 $a Film adaptations $x History and criticism. $3 592885
650 0 $a Motion pictures and globalization. $3 1081881
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230800809 $z access to fulltext (Palgrave)