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Iago and Marranism: "An essence that...

University of Houston-Clear Lake.

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Iago and Marranism: "An essence that's not seen".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Iago and Marranism: "An essence that's not seen"./
作者:	Wedes, Joan Blackwell.
面頁冊數:	76 p.
附註:	Adviser: Gretchen Mieszkowski.
Contained By:	Masters Abstracts International47-04.
標題:	Jewish Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1462815
ISBN:	9780549989158

Iago and Marranism: "An essence that's not seen".
Wedes, Joan Blackwell.

Iago and Marranism: "An essence that's not seen". - 76 p.

Adviser: Gretchen Mieszkowski.

Thesis (M.A.)--University of Houston-Clear Lake, 2008.

Within the past two decades much has been written on those plays of Shakespeare featuring Muslims and Jews and what these plays may have said about early modern England's ongoing religious concerns and economic expansion in the Mediterranean. This essay examines issues of religious conversion and how these concerns may have entered into Othello. In particular it posits that the character Iago, whose motivation has been an ongoing mystery among scholars, may have been a representation of a Marrano Jew entering into a partnership with the Muslim convert, Othello. Jewish/Muslim partnership plays were common prior to the first staging of Othello . Stage iconography borrowed from the morality tradition and previous plays were infused in Iago's character to represent stereotyped Jewish traits.

ISBN: 9780549989158Subjects--Topical Terms:

1017696
Jewish Studies.

Iago and Marranism: "An essence that's not seen".
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520 $a Within the past two decades much has been written on those plays of Shakespeare featuring Muslims and Jews and what these plays may have said about early modern England's ongoing religious concerns and economic expansion in the Mediterranean. This essay examines issues of religious conversion and how these concerns may have entered into Othello. In particular it posits that the character Iago, whose motivation has been an ongoing mystery among scholars, may have been a representation of a Marrano Jew entering into a partnership with the Muslim convert, Othello. Jewish/Muslim partnership plays were common prior to the first staging of Othello . Stage iconography borrowed from the morality tradition and previous plays were infused in Iago's character to represent stereotyped Jewish traits.
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