語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Early twentieth-century avant-garde ...
~
Iowa State University., English.
FindBook
Google Book
Amazon
博客來
Early twentieth-century avant-garde book design: An agentive vehicle for social change.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Early twentieth-century avant-garde book design: An agentive vehicle for social change./
作者:
Proulx, Shannon Kelly.
面頁冊數:
101 p.
附註:
Adviser: Lee Honeycutt.
Contained By:
Masters Abstracts International47-01.
標題:
Design and Decorative Arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1454648
ISBN:
9780549685852
Early twentieth-century avant-garde book design: An agentive vehicle for social change.
Proulx, Shannon Kelly.
Early twentieth-century avant-garde book design: An agentive vehicle for social change.
- 101 p.
Adviser: Lee Honeycutt.
Thesis (M.A.)--Iowa State University, 2008.
The increasing dominance of visual communication puts pressure on professional communicators and students of rhetoric to understand the nature of the scopic regime and how competing ways of seeing affect communication networks and the societies they serve. This document focuses on the attempts of the early twentieth-century avant gardists to profoundly shift social realities by challenging the scopic regime of their time through book design. Their attempts to seize agency through aesthetics failed to directly enact a new social order, but the avant gardists succeeded in establishing the necessary visual grammars for new ways of visually presenting information, including the International Style. This current (and global) scopic regime embraces a particular relationship among text, image, and reader that allows us to cope with the cacophony of information and objects. To understand the International Style and other competing ways of visual communication, one must understand the major movement that came before: the Avant-Garde, which itself included movements we now call New Typography, Suprematist, and Constructivist. Principally building upon Richard Lanham's assertion that we live in a "economy of attention," Karlyn Kohrs Campbell's notion of agency as promiscuous, Anthony Giddens's work on the duality of social structures, and Martin Jay's conception of the scopic regime, this document traces the work of key avant-gardists and in so doing adumbrates how book design has combined and continues to combine aesthetics with social action.
ISBN: 9780549685852Subjects--Topical Terms:
1020245
Design and Decorative Arts.
Early twentieth-century avant-garde book design: An agentive vehicle for social change.
LDR
:02539nmm 2200313 a 45
001
886064
005
20101006
008
101006s2008 ||||||||||||||||| ||eng d
020
$a
9780549685852
035
$a
(UMI)AAI1454648
035
$a
AAI1454648
040
$a
UMI
$c
UMI
100
1
$a
Proulx, Shannon Kelly.
$3
1057732
245
1 0
$a
Early twentieth-century avant-garde book design: An agentive vehicle for social change.
300
$a
101 p.
500
$a
Adviser: Lee Honeycutt.
500
$a
Source: Masters Abstracts International, Volume: 47-01, page: 0074.
502
$a
Thesis (M.A.)--Iowa State University, 2008.
520
$a
The increasing dominance of visual communication puts pressure on professional communicators and students of rhetoric to understand the nature of the scopic regime and how competing ways of seeing affect communication networks and the societies they serve. This document focuses on the attempts of the early twentieth-century avant gardists to profoundly shift social realities by challenging the scopic regime of their time through book design. Their attempts to seize agency through aesthetics failed to directly enact a new social order, but the avant gardists succeeded in establishing the necessary visual grammars for new ways of visually presenting information, including the International Style. This current (and global) scopic regime embraces a particular relationship among text, image, and reader that allows us to cope with the cacophony of information and objects. To understand the International Style and other competing ways of visual communication, one must understand the major movement that came before: the Avant-Garde, which itself included movements we now call New Typography, Suprematist, and Constructivist. Principally building upon Richard Lanham's assertion that we live in a "economy of attention," Karlyn Kohrs Campbell's notion of agency as promiscuous, Anthony Giddens's work on the duality of social structures, and Martin Jay's conception of the scopic regime, this document traces the work of key avant-gardists and in so doing adumbrates how book design has combined and continues to combine aesthetics with social action.
590
$a
School code: 0097.
650
4
$a
Design and Decorative Arts.
$3
1020245
650
4
$a
Language, General.
$3
1018089
650
4
$a
Language, Rhetoric and Composition.
$3
1019205
690
$a
0389
690
$a
0679
690
$a
0681
710
2
$a
Iowa State University.
$b
English.
$3
1020984
773
0
$t
Masters Abstracts International
$g
47-01.
790
$a
0097
790
1 0
$a
Freed, Richard
$e
committee member
790
1 0
$a
Honeycutt, Lee,
$e
advisor
790
1 0
$a
Winkiel, Laura
$e
committee member
791
$a
M.A.
792
$a
2008
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1454648
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9081366
電子資源
11.線上閱覽_V
電子書
EB W9081366
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入