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The people's art: The "Chicago Tribu...

Michigan State University.

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The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century./
作者:	Goldsmith, Julie Ann.
面頁冊數:	234 p.
附註:	Adviser: Lucinda Davenport.
Contained By:	Dissertation Abstracts International69-10A.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3331917
ISBN:	9780549838258

The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century.
Goldsmith, Julie Ann.

The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century. - 234 p.

Adviser: Lucinda Davenport.

Thesis (Ph.D.)--Michigan State University, 2008.

The first color photograph simultaneously printed overnight with the accompanying news story was produced by the Chicago Tribune in 1939, using a custom-made camera with glass-plate negatives.

ISBN: 9780549838258Subjects--Topical Terms:

1020245
Design and Decorative Arts.

The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century.
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245 1 4 $a The people's art: The "Chicago Tribune"'s transformation of visual journalism in the early 20th century.
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502 $a Thesis (Ph.D.)--Michigan State University, 2008.
520 $a The first color photograph simultaneously printed overnight with the accompanying news story was produced by the Chicago Tribune in 1939, using a custom-made camera with glass-plate negatives.
520 $a This case study of the Chicago Tribune examines the quest and the achievement of the democratization of color that culminated between the two world wars.
520 $a Current practices in visual journalism rely extensively on color images to enhance credibility and engage viewers' interests in news stories. Despite the ubiquity of color in visual journalism today, little is known about its historical development in the first half of the twentieth-century. This Chicago Tribune's pioneering role in pictorial color was nurtured under the leadership of publisher Robert R. McCormick from 1911 to 1955.
520 $a This cultural case history takes a sweeping look at visual innovations, extending from the origins of modern color with the Chicago Tribune's anniversary edition in 1897 to its visual art in World War II. Pictorial color art in news editorial, advertising, printing, cartooning, photography, and the reproduction of fine art are examined. The Chicago Tribune's seminal role in modern color took root on the influences of its nineteenth-century publisher, Joseph M. Medill, and the achievements of commercial printer, Theodore Regensteiner, and photoengraving inventor, William Kurtz.
520 $a The Chicago Tribune's zenith came in the aftermath of World War I, when its employees, and those of its subsidiary companies, patented 92 inventions related to visual color. Two primary inventions changed the visual dynamics of newspapers. The color rotogravure press, which was invented in 1922 by Chicago Tribune printer John C. Yetter, advanced two great movements---American Realism and American Expressionism---through its Sunday features. The color letterpress, invented in 1932 by Chicago Tribune printer Otto R. Wolf, modernized newspapers on weekdays. Wolf's invention made possible the emotive and symbolic use of colors, and resulted in a new, lean aesthetic, shaped by front-page editorial cartoonist Carey C. Orr. The language of color is examined through the works of two legendary Chicago Tribune artists, Orr and John T. McCutcheon.
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