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Indian identities and Indian experie...

University of Colorado at Boulder.

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Indian identities and Indian experience: Strategies of decolonization in the works of Fritz Scholder.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Indian identities and Indian experience: Strategies of decolonization in the works of Fritz Scholder./
作者:	Berkemeyer, Eric K.
面頁冊數:	71 p.
附註:	Adviser: Erika Doss.
Contained By:	Masters Abstracts International45-05.
標題:	Art History. -
電子資源:	http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=1442927

Indian identities and Indian experience: Strategies of decolonization in the works of Fritz Scholder.
Berkemeyer, Eric K.

Indian identities and Indian experience: Strategies of decolonization in the works of Fritz Scholder. - 71 p.

Adviser: Erika Doss.

Thesis (M.A.)--University of Colorado at Boulder, 2007.

During the period of 1967 to 1980 the Native American artist Fritz Scholder developed a body of work that explored aspects of Indian identity and experience in America. This paper examines the critical eye Scholder turned toward dominant understandings of the American Indian and the methods he used to challenge those assumptions. By framing this subject in a postcolonial discourse, this paper links Scholder's work to a larger context of decolonization found within the Native American community during the 1960s and 1970s.Subjects--Topical Terms:

635474
Art History.

Indian identities and Indian experience: Strategies of decolonization in the works of Fritz Scholder.
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520 $a During the period of 1967 to 1980 the Native American artist Fritz Scholder developed a body of work that explored aspects of Indian identity and experience in America. This paper examines the critical eye Scholder turned toward dominant understandings of the American Indian and the methods he used to challenge those assumptions. By framing this subject in a postcolonial discourse, this paper links Scholder's work to a larger context of decolonization found within the Native American community during the 1960s and 1970s.
520 $a In order to better understand the critical position that Fritz Scholder took, I contrast his work with earlier constructs of Indian images and identities. This includes a discussion of the archetypes of noble and ignoble savages and White artists that employed those types to promote limiting understandings of Native Americans. I also evaluate the effects of colonial influence on Indian artists, how White art and educational institutions promoted a relatively narrow understanding of Indian painting, and how Indian artists would eventually come to challenge the establishment.
520 $a This paper then examines two distinct categories of works within Scholder's Indian Series, paintings reflecting on Indian identity and paintings on Indian experience. I argue that his paintings on Indian identity serve to challenge dominant understandings of what it means to be Indian and attempt to navigate the challenges of constructing a new modern Indian identity. Scholder's paintings on Indian experience, on the other hand, address historic and contemporary issues that trouble the Indian community, confronting the dominant culture for its complicity in those problems.
520 $a The paper concludes with a discussion of the state of Indian art in the wake of Fritz Scholder's Indian Series. I contend that the changing nature of Indian politics within the country changed priorities among Indian artists. I compare the works of a couple of Indian artists working since Scholder's completed his seminal series to illustrate this changing focus. I also highlight some of the new avenues of inquiry in the field of Indian art that opened up due to the new social and political environment of the 1980s and 1990s.
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