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Paintings of Pueblo Indians and the ...

Rutgers The State University of New Jersey - New Brunswick., Art History.

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Paintings of Pueblo Indians and the politics of preservation in the American Southwest.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Paintings of Pueblo Indians and the politics of preservation in the American Southwest./
作者:	Scott, Sascha T.
面頁冊數:	379 p.
附註:	Adviser: Joan Marter.
Contained By:	Dissertation Abstracts International69-10A.
標題:	Anthropology, Cultural. -
電子資源:	http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=3335556
ISBN:	9780549890423

Paintings of Pueblo Indians and the politics of preservation in the American Southwest.
Scott, Sascha T.

Paintings of Pueblo Indians and the politics of preservation in the American Southwest. - 379 p.

Adviser: Joan Marter.

Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2008.

This dissertation investigates paintings of Pueblo Indians produced in the 1920s. Painted at a time when the federal policy of assimilation was being vigorously contested, many of these images are imbued with a preservationist perspective. Artists, such as Marsden Hartley, John Sloan, and Ernest L. Blumenschein, struggled to find a new visual language for representing the Pueblo people, one that would correspond to their protests against assimilationist policy. Through the efforts of artists in favor of the preservation of American Indian culture, a new concept of "Indianness" was popularized. An anthropological perspective, or one that recorded the customs of "vanishing" Indians, was displaced by a subjective vision, which attempted to evoke the abstract qualities of contemporary Indian rituals, such as their rhythms, communalism, and connection to nature. This new visual language, with its ideological complexities and paradoxes, permeates Georgia O'Keeffe's paintings of Indian ceremonials.

ISBN: 9780549890423Subjects--Topical Terms:

735016
Anthropology, Cultural.

Paintings of Pueblo Indians and the politics of preservation in the American Southwest.
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520 $a This dissertation investigates paintings of Pueblo Indians produced in the 1920s. Painted at a time when the federal policy of assimilation was being vigorously contested, many of these images are imbued with a preservationist perspective. Artists, such as Marsden Hartley, John Sloan, and Ernest L. Blumenschein, struggled to find a new visual language for representing the Pueblo people, one that would correspond to their protests against assimilationist policy. Through the efforts of artists in favor of the preservation of American Indian culture, a new concept of "Indianness" was popularized. An anthropological perspective, or one that recorded the customs of "vanishing" Indians, was displaced by a subjective vision, which attempted to evoke the abstract qualities of contemporary Indian rituals, such as their rhythms, communalism, and connection to nature. This new visual language, with its ideological complexities and paradoxes, permeates Georgia O'Keeffe's paintings of Indian ceremonials.
520 $a A study of the extent to which artists' preservationist stance framed their view of Pueblo Indians, and the visual manifestation of this view in their art, enriches the discourse concerning the art of the Southwest by adding a critical interpretive layer.
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