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Toward a metaphysics of performance,...

Arizona State University.

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Toward a metaphysics of performance, and transdisciplinary implications.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Toward a metaphysics of performance, and transdisciplinary implications./
Author:	Marcus, Andrew Brian.
Description:	62 p.
Notes:	Source: Masters Abstracts International, Volume: 46-05, page: 2351.
Contained By:	Masters Abstracts International46-05.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1452702
ISBN:	9780549526629

Toward a metaphysics of performance, and transdisciplinary implications.
Marcus, Andrew Brian.

Toward a metaphysics of performance, and transdisciplinary implications. - 62 p.

Source: Masters Abstracts International, Volume: 46-05, page: 2351.

Thesis (M.F.A.)--Arizona State University, 2008.

This phenomenological narrative explores perceptions of being in a reconsideration of audience/performer/site relationships in three technologically mediated dance performances. These are evaluated relative to an evolving concept of fine art dance performance as vehicle for shared metaphysical experience between performers and audience. The improvisational performance methodology, Sensation and Form, is discussed as an approach to the interactive capabilities of 'intelligent' spaces employing motion-sensing technology. Performers and audience engage in balancing mutual awareness in shifting sensory and perceptual conditions as expressed by the interactive environment. The nexus of artist/art object/audience is explored as a dynamic creative system, and as a means of transcendence of dualities such as artist and audience and subject and object. The act of transcendence as focused and contained in its integration with the site of performance is designated by the author as 'sacred space.' These relationships are not medium specific and transdisciplinary implications are discussed.

ISBN: 9780549526629Subjects--Topical Terms:

610547
Dance.

Toward a metaphysics of performance, and transdisciplinary implications.
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020 $a 9780549526629
035 $a (UMI)AAI1452702
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100 1 $a Marcus, Andrew Brian. $3 1024716
245 1 0 $a Toward a metaphysics of performance, and transdisciplinary implications.
300 $a 62 p.
500 $a Source: Masters Abstracts International, Volume: 46-05, page: 2351.
502 $a Thesis (M.F.A.)--Arizona State University, 2008.
520 $a This phenomenological narrative explores perceptions of being in a reconsideration of audience/performer/site relationships in three technologically mediated dance performances. These are evaluated relative to an evolving concept of fine art dance performance as vehicle for shared metaphysical experience between performers and audience. The improvisational performance methodology, Sensation and Form, is discussed as an approach to the interactive capabilities of 'intelligent' spaces employing motion-sensing technology. Performers and audience engage in balancing mutual awareness in shifting sensory and perceptual conditions as expressed by the interactive environment. The nexus of artist/art object/audience is explored as a dynamic creative system, and as a means of transcendence of dualities such as artist and audience and subject and object. The act of transcendence as focused and contained in its integration with the site of performance is designated by the author as 'sacred space.' These relationships are not medium specific and transdisciplinary implications are discussed.
590 $a School code: 0010.
650 4 $a Dance. $3 610547
650 4 $a Fine Arts. $3 891065
650 4 $a Philosophy. $3 516511
690 $a 0357
690 $a 0378
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710 2 $a Arizona State University. $3 1017445
773 0 $t Masters Abstracts International $g 46-05.
790 $a 0010
791 $a M.F.A.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1452702