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Tracing changes in the genre convent...

The University of Texas at San Antonio., English, Classics, and Philosophy.

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Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis./
作者:	Miller, Jeffrey R.
面頁冊數:	84 p.
附註:	Adviser: Bridget Drinka.
Contained By:	Masters Abstracts International46-05.
標題:	Gender Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1450620
ISBN:	9780549509653

Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis.
Miller, Jeffrey R.

Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis. - 84 p.

Adviser: Bridget Drinka.

Thesis (M.A.)--The University of Texas at San Antonio, 2008.

Defining fantasy has been a problem. I believe this problem comes from trying to define a diverse genre with a single concise definition. In this thesis, I try to show that fantasy literature is not as unchanging as definers have tried to make it.

ISBN: 9780549509653Subjects--Topical Terms:

898693
Gender Studies.

Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis.
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245 1 0 $a Tracing changes in the genre conventions of fantasy literature: A diachronic quantitative and qualitative analysis.
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502 $a Thesis (M.A.)--The University of Texas at San Antonio, 2008.
520 $a Defining fantasy has been a problem. I believe this problem comes from trying to define a diverse genre with a single concise definition. In this thesis, I try to show that fantasy literature is not as unchanging as definers have tried to make it.
520 $a I detail in the first chapter one major shift that has been identified in previous research---the emergence of immersive fantasy---by conducting an exhaustive search of previous fantasy literature, looking for conventions of the style. After finding several works which show many of the conventions of immersive fantasy emerging, I then identify to what degree the conventions of immersive fantasy are present in the works. I show that the earlier works of fantasy set the foundation for what the genre has become.
520 $a I use in the second chapter a random sampling of accessible fantasy literature to show how fantasy literature has changed in ways that have not been previously noted: in the characterization of the protagonist, the depiction of fantasy worlds, and the use of magic. I find that there is a correlation between the popular explosion of immersive fantasy and the instilling of magic in the point-of-view characters. When immersive fantasy began to gain popularity, innate magical abilities in the point-of-view character increased in popularity as well.
520 $a By identifying changes in the genre conventions of fantasy, I believe attempts by scholars to define fantasy literature will be more accurately formed. The implications the changes show that one definition is not sufficient for the whole genre; changes in the genre indicate, at the very least, an early and late period for the genre of Modern Fantasy.
590 $a School code: 1283.
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710 2 $a The University of Texas at San Antonio. $b English, Classics, and Philosophy. $3 1024709
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