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The World's Columbian Exposition of ...

University of California, Riverside.

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The World's Columbian Exposition of 1893: The production of fair performers and fairgoers.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The World's Columbian Exposition of 1893: The production of fair performers and fairgoers./
Author:	Stroik, Adrienne Lisbeth.
Description:	293 p.
Notes:	Adviser: Linda J. Tomko.
Contained By:	Dissertation Abstracts International68-04A.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3257708

The World's Columbian Exposition of 1893: The production of fair performers and fairgoers.
Stroik, Adrienne Lisbeth.

The World's Columbian Exposition of 1893: The production of fair performers and fairgoers. - 293 p.

Adviser: Linda J. Tomko.

Thesis (Ph.D.)--University of California, Riverside, 2007.

This dissertation examines performers and fairgoers at the 1893 Chicago World's Columbian Exposition, the first World's Exposition in the U.S. with a Midway and live performers. Midway displays housed two performer types analyzed: Dahomey and Irish Villagers. Another group scrutinized, German-American Turners, were free to roam the fairgrounds. I also investigate ambulatory experiences of fairgoers. I analyze inscriptions and receptions of these four groups, drawing on Elizabeth Grosz, to address bodies and actions as potent aspects of meaning making. I gathered data about inscriptions, including appearances and movements, from guidebooks, picture books, period newspapers, and concession agreements. Movement staged in and locomotion through the fairgrounds produced bodies and cultural meanings linked to issues of imperial expansion, cultural ranking, identity politics, city planning, and consumer society. Scholars have acknowledged the Fair produced meanings in these registers; I differ from most writers by also focusing on how bodies contributed to meaning production.Subjects--Topical Terms:

610547
Dance.

The World's Columbian Exposition of 1893: The production of fair performers and fairgoers.
LDR:03370nam 2200289 a 45 001 857648
005 20100712
008 100712s2007 ||||||||||||||||| ||eng d
035 $a (UMI)AAI3257708
035 $a AAI3257708
040 $a UMI $c UMI
100 1 $a Stroik, Adrienne Lisbeth. $3 1024616
245 1 4 $a The World's Columbian Exposition of 1893: The production of fair performers and fairgoers.
300 $a 293 p.
500 $a Adviser: Linda J. Tomko.
500 $a Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1196.
502 $a Thesis (Ph.D.)--University of California, Riverside, 2007.
520 $a This dissertation examines performers and fairgoers at the 1893 Chicago World's Columbian Exposition, the first World's Exposition in the U.S. with a Midway and live performers. Midway displays housed two performer types analyzed: Dahomey and Irish Villagers. Another group scrutinized, German-American Turners, were free to roam the fairgrounds. I also investigate ambulatory experiences of fairgoers. I analyze inscriptions and receptions of these four groups, drawing on Elizabeth Grosz, to address bodies and actions as potent aspects of meaning making. I gathered data about inscriptions, including appearances and movements, from guidebooks, picture books, period newspapers, and concession agreements. Movement staged in and locomotion through the fairgrounds produced bodies and cultural meanings linked to issues of imperial expansion, cultural ranking, identity politics, city planning, and consumer society. Scholars have acknowledged the Fair produced meanings in these registers; I differ from most writers by also focusing on how bodies contributed to meaning production.
520 $a Chapters one through three focus on Dahomey Villagers, Irish Villagers, and German-American Turners. I analyze inscriptions and possible meanings communicated, clarifying ways they intersected, conflicted, and signaled stereotypes connected to period debates, including Social Darwinism. For example, one interpretation of Dahomey Villagers cast them as inferior to the French and as requiring colonization. Irish Villagers could be understood as declaring a desire and readiness for national independence. In one reading, German-American Turners demonstrated a version of physical perfection attainable for Western bodies.
520 $a In chapter four, I adopt a strategy from Lena Hammergren to take a fictive 'stroll' through the fairgrounds. I try to comprehend, through a kind of re/embodied experience, how planners sought to produce fairgoers. I do not attempt to speak for all fairgoers or to present a universal view of the Fair. I argue planners aimed to train fairgoers for a consumerist, urban future that they signaled with buildings, their internal organization, and the fairground layout. However, I echo Michel de Certeau to emphasize performers and fairgoers could temporarily circumvent the participatory recommendations presented. I argue a power struggle existed at the Fair, and bodies and movement were focal points of and nodes for cultural and political contentions.
590 $a School code: 0032.
650 4 $a Dance. $3 610547
650 4 $a History, United States. $3 1017393
690 $a 0337
690 $a 0378
710 2 $a University of California, Riverside. $3 791122
773 0 $t Dissertation Abstracts International $g 68-04A.
790 $a 0032
790 1 0 $a Tomko, Linda J., $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3257708