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Romanticism in Hubert Aquin's "Proch...
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Universite de Sherbrooke (Canada).
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Romanticism in Hubert Aquin's "Prochain Episode": An intertextual reading.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Romanticism in Hubert Aquin's "Prochain Episode": An intertextual reading./
作者:
Francoli Gonzalo, Oriana.
面頁冊數:
142 p.
附註:
Source: Masters Abstracts International, Volume: 47-03, page: 1299.
Contained By:
Masters Abstracts International47-03.
標題:
Language, General. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR42959
ISBN:
9780494429594
Romanticism in Hubert Aquin's "Prochain Episode": An intertextual reading.
Francoli Gonzalo, Oriana.
Romanticism in Hubert Aquin's "Prochain Episode": An intertextual reading.
- 142 p.
Source: Masters Abstracts International, Volume: 47-03, page: 1299.
Thesis (M.A.)--Universite de Sherbrooke (Canada), 2008.
1Although the critical edition was consulted, all citings were taken from the first edition of Prochain Episode , Le Cercle du Livre de France, 1965.
ISBN: 9780494429594Subjects--Topical Terms:
1018089
Language, General.
Romanticism in Hubert Aquin's "Prochain Episode": An intertextual reading.
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Source: Masters Abstracts International, Volume: 47-03, page: 1299.
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1Although the critical edition was consulted, all citings were taken from the first edition of Prochain Episode , Le Cercle du Livre de France, 1965.
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This thesis focuses on the intertextuality related to Romanticism that has shaped Prochain Episode. To portray his narrator's identity crisis Hubert Aquin chooses Romantic literary and revolutionary figures as models such as Honore de Balzac associated to Ferragus, le chef des Devorants in L'Histoire des Treize; Lord George Byron, who died in Missolonghi fighting for Greek independence, as well as the English poet's literary doubles, Manfred, Le Chevalier Harold and Francois de Bonnivard, Le Prisonnier de Chillon; Benjamin Constant, a writer and politician during the French Revolution; the Russian revolutionaries Nikolai Tchernychevski and Mikhail Bakounine, and the Italian Giuseppe Mazzini who incarnate liberalism.
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Prochain Episode's Narrator portrays himself as a modern day knight invested with a double mission: the reconquest of his country and the search for a "Graal esthetique" ( P.E. 92).1 This chivalric figure, revived in Romantic 19th century circles, is both the hero and poet of the tale which chronicles his heroic exploits. However, the Quebec fighter is doubly disillusioned. His political crusade finishes in failure and his search for an original literary style leaves him discouraged. He concludes mournfully, "Jerusalem seconde, cette unicite surmultipliee, n'est rien d'autre qu'une obsession de croises" (P.E. 92). This intertextual reference to Torquato Tasso's work on the invasion and subjugation of Jerusalem by crusaders is intertwined in his mind with the FLQ Patriots' mission to reconquer Quebec. The author and narrator are convinced that eventually someone else will take their place, avenge Quebec and fight for the country's next episode. There is no final revolution; revolutions are infinite.
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