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Romanticism and the forms of interio...
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Duke University.
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Romanticism and the forms of interiority.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Romanticism and the forms of interiority./
Author:
Ostas, Magdalena M.
Description:
216 p.
Notes:
Adviser: Toril Moi.
Contained By:
Dissertation Abstracts International69-07A.
Subject:
Literature, Comparative. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3321844
ISBN:
9780549717959
Romanticism and the forms of interiority.
Ostas, Magdalena M.
Romanticism and the forms of interiority.
- 216 p.
Adviser: Toril Moi.
Thesis (Ph.D.)--Duke University, 2007.
"Romanticism and the Forms of Interiority" traces a change in the economy between literature and reader during the Romantic era. It argues that the status of the aesthetic object, the form of aesthetic response, and thus the very activity of reading---what it asks of the subject---undergo a transformation during the period. It traces the formal work in literature of what M. H. Abrams has called the text's inability to show consciousness of a reader, what Michael Fried has termed the maintenance of the fiction of the beholder's absence before an artwork, and what Kant in the period defined as the necessity of the aesthetic form's keeping the subject "disinterested." It seeks to show, then, through four case studies---Kant, Wordsworth, Kleist, and Keats---how a shift in the ontological conception of the aesthetic leads in literature to the establishing of an economy with readers that in effect negates or disavows them. It shows how formal patterns and structures in the literary text do the work of maintaining a "interiorized" subject before the aesthetic object through the form of response Fried has termed "absorption" and Kant during the period called "reflection." The project thus pinpoints a shift in conceptions of subjectivity and aesthetic response in the Romantic era through readings of Kant's Critique of Judgment, Wordsworth's Lyrical Ballads and Prelude, Kleist's "Das Erdbeben in Chili" and "Die Marquise von O," and Keats's The Eve of St. Agnes and Odes of 1819.
ISBN: 9780549717959Subjects--Topical Terms:
530051
Literature, Comparative.
Romanticism and the forms of interiority.
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Source: Dissertation Abstracts International, Volume: 69-07, Section: A, page: 2706.
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Thesis (Ph.D.)--Duke University, 2007.
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"Romanticism and the Forms of Interiority" traces a change in the economy between literature and reader during the Romantic era. It argues that the status of the aesthetic object, the form of aesthetic response, and thus the very activity of reading---what it asks of the subject---undergo a transformation during the period. It traces the formal work in literature of what M. H. Abrams has called the text's inability to show consciousness of a reader, what Michael Fried has termed the maintenance of the fiction of the beholder's absence before an artwork, and what Kant in the period defined as the necessity of the aesthetic form's keeping the subject "disinterested." It seeks to show, then, through four case studies---Kant, Wordsworth, Kleist, and Keats---how a shift in the ontological conception of the aesthetic leads in literature to the establishing of an economy with readers that in effect negates or disavows them. It shows how formal patterns and structures in the literary text do the work of maintaining a "interiorized" subject before the aesthetic object through the form of response Fried has termed "absorption" and Kant during the period called "reflection." The project thus pinpoints a shift in conceptions of subjectivity and aesthetic response in the Romantic era through readings of Kant's Critique of Judgment, Wordsworth's Lyrical Ballads and Prelude, Kleist's "Das Erdbeben in Chili" and "Die Marquise von O," and Keats's The Eve of St. Agnes and Odes of 1819.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3321844
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