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Painting gender, constructing theory...

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Painting gender, constructing theory = the Alfred Stieglitz Circle and American formalist aesthetics /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Painting gender, constructing theory/ Marcia Brennan.
其他題名:	the Alfred Stieglitz Circle and American formalist aesthetics /
作者:	Brennan, Marcia.
出版者:	Cambridge, Mass. :MIT Press, : c2001.,
面頁冊數:	xi, 377 p. :ill. (some col.) ;24 cm.
內容註:	Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.
標題:	Gender identity in art. -
電子資源:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=78210An electronic book accessible through the World Wide Web; click for information
ISBN:	0585446598 (electronic bk.)

Painting gender, constructing theory = the Alfred Stieglitz Circle and American formalist aesthetics /
Brennan, Marcia.

Painting gender, constructing theorythe Alfred Stieglitz Circle and American formalist aesthetics /[electronic resource] :Marcia Brennan. - Cambridge, Mass. :MIT Press,c2001. - xi, 377 p. :ill. (some col.) ;24 cm.

Includes bibliographical references (p. 272-369) and index.

Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2003.

Available via World Wide Web.

ISBN: 0585446598 (electronic bk.)Subjects--Personal Names:

872770
Stieglitz, Alfred,
1864-1946--Aesthetics.Subjects--Topical Terms:

549660
Gender identity in art.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N6512.5.S75 / B74 2001eb

Dewey Class. No.: 709/.73/09042

Painting gender, constructing theory = the Alfred Stieglitz Circle and American formalist aesthetics /
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505 0 $a Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.
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