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Crime films
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Crime films
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Crime films/ Thomas Leitch.
作者:
Leitch, Thomas M.
出版者:
Cambridge ;Cambridge University Press, : 2002.,
面頁冊數:
xv, 383 p. :ill. ;24 cm.
叢書名:
Genres in American cinema
標題:
Detective and mystery films - History and criticism. - United States -
電子資源:
http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=112447An electronic book accessible through the World Wide Web; click for information
ISBN:
0511040288 (electronic bk.)
Crime films
Leitch, Thomas M.
Crime films
[electronic resource] /Thomas Leitch. - Cambridge ;Cambridge University Press,2002. - xv, 383 p. :ill. ;24 cm. - Genres in American cinema.
Filmography: p. 341-357.
The problem of the crime film --
This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.
Available via World Wide Web.
ISBN: 0511040288 (electronic bk.)Subjects--Topical Terms:
765175
Detective and mystery films
--History and criticism.--United StatesIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.D4 / L45 2002eb
Dewey Class. No.: 791.43/6556
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Filmography: p. 341-357.
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The problem of the crime film --
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Historical and cultural overview --
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Critical overview --
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Fury and the victim film --
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The Godfather and the gangster film --
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Double Indemnity and the film noir --
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Basic Instinct and the erotic thriller --
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Murder on the Orient Express, Blue Velvet, and the unofficial detective film --
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Chinatown and the hardboiled detective film --
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Bullitt and the police film --
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Reversal of Fortune and the lawyer film --
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Fargo and the crime comedy --
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What good are crime films?
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This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
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