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African-American performance and the...

Elam, Harry Justin.

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African-American performance and theater history = a critical reader /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	African-American performance and theater history/ edited by Harry J. Elam, Jr., David Krasner.
其他題名:	a critical reader /
其他作者:	Elam, Harry Justin.
出版者:	Oxford [England] ;Oxford University Press, : 2001.,
面頁冊數:	xiv, 367 p. :ill. ;24 cm.
標題:	African American theater. -
電子資源:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=129694An electronic book accessible through the World Wide Web; click for information
ISBN:	0195302087 (electronic bk.)

African-American performance and theater history = a critical reader /
African-American performance and theater historya critical reader /[electronic resource] :edited by Harry J. Elam, Jr., David Krasner. - Oxford [England] ;Oxford University Press,2001. - xiv, 367 p. :ill. ;24 cm.

Includes bibliographical references (p. 351-356) and index.

The device of race: an introduction /Harry J. Elam, Jr. --roundtable discussion edited by

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2005.

Available via World Wide Web.

ISBN: 0195302087 (electronic bk.)Subjects--Topical Terms:

840068
African American theater.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2270.A35 / A46 2001eb

Dewey Class. No.: 792/.089/96073

African-American performance and theater history = a critical reader /
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300 $a xiv, 367 p. : $b ill. ; $c 24 cm.
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505 0 0 $t The device of race: an introduction / $r Harry J. Elam, Jr. -- $t Uncle Tom's women / $r Judith Williams -- $t Political radicalism and artistic innovation in the works of Lorraine Hansberry/ $r Margaret B. Wilkerson -- $t The Black arts movement: performance, neo-orality, and the destruction of the "white thing" / $r Mike Sell -- $t Beyond a liberal audience / $r William Sonnega -- $t Deep skin: reconstructing Congo Square/ $r Joseph R. Roach -- $t "Calling on the Spirit": the performativity of Black women's faith in the Baptist church spiritual traditions and its radical possibilities for resistance / $r Telia U. Anderson -- $t The chitlin circuit/ $r Henry Louis Gates, Jr. -- $t Audience and Africanisms in August Wilson's dramaturgy: a case study / $r Sandra G. Shannon -- $t Black minstrelsy and double inversion, circa 1890 / $r Annemarie Bean -- $t Black Salome: exoticism, dance, and racial myths/ $r David Krasner -- $t Uh tiny land mass just outside of my vocabulary: expression of creative nomadism and contemporary African American playwrights / $r Kimberly D. Dixon -- $t Attending Walt Whitman High: the lessons of Pomo Afro Homos' Dark fruit/ $r Jay Plum -- $t Acting out miscegenation / $r Diana R. Paulin -- $t Birmingham's Federal Theater Project Negro Unit: the administration of race/ $r Tina Redd -- $t The Black performer and the performance of blackness: The escape; or, A leap to freedom by William Wells Brown and No place to be somebody by Charles Gordone/ $r Harry J. Elam, Jr. -- $t The costs of re-membering: what's at stake in Gayl Jone's Corregidora / $r Christina E. Sharpe -- $t African American theater: the state of the profession, past, present, and future/ $g roundtable discussion edited by $r Harry J. Elam, Jr., $r David Krasner -- $g Afterword: $t change is coming / $r David Krasner.
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