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Generation multiplex = the image of ...
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Generation multiplex = the image of youth in contemporary American cinema /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Generation multiplex/ by Timothy Shary ; foreword by David Considine.
其他題名:
the image of youth in contemporary American cinema /
作者:
Shary, Timothy,
出版者:
Austin :University of Texas Press, : 2002.,
面頁冊數:
xvi, 330 p. :ill. ;24 cm.
內容註:
The cinematic image of youth -- Youth in school : academics and attitude -- Delinquent youth : having fun, on the loose, in trouble -- The youth horror film : slashers and the supernatural -- Youth and science : technology, computers, games -- Youth in love and having sex -- Youth cinema at the millennium -- Appendix A. Filmography of youth films, 1980-2001 -- Appendix B. Subjective superlative lists.
標題:
Motion pictures - United States. -
電子資源:
http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=113641An electronic book accessible through the World Wide Web; click for information
ISBN:
0292797982 (electronic bk.)
Generation multiplex = the image of youth in contemporary American cinema /
Shary, Timothy,1967-
Generation multiplex
the image of youth in contemporary American cinema /[electronic resource] :by Timothy Shary ; foreword by David Considine. - 1st ed. - Austin :University of Texas Press,2002. - xvi, 330 p. :ill. ;24 cm.
Includes bibliographical references (p. [301]-308) and index.
The cinematic image of youth -- Youth in school : academics and attitude -- Delinquent youth : having fun, on the loose, in trouble -- The youth horror film : slashers and the supernatural -- Youth and science : technology, computers, games -- Youth in love and having sex -- Youth cinema at the millennium -- Appendix A. Filmography of youth films, 1980-2001 -- Appendix B. Subjective superlative lists.
When teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities. Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres--school, delinquency, horror, science, and romance/sexuality--to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face.
Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.
Available via World Wide Web.
ISBN: 0292797982 (electronic bk.)Subjects--Topical Terms:
597784
Motion pictures
--United States.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.Y6 / S53 2002eb
Dewey Class. No.: 791.43/652054
Generation multiplex = the image of youth in contemporary American cinema /
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When teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities. Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres--school, delinquency, horror, science, and romance/sexuality--to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face.
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