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The terministic screen = rhetorical ...

Blakesley, David.

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The terministic screen = rhetorical perspectives on film /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The terministic screen/ edited by David Blakesley.
其他題名:	rhetorical perspectives on film /
其他作者:	Blakesley, David.
出版者:	Carbondale :Southern Illinois University Press, : c2003.,
面頁冊數:	x, 312 p. :ill. ;24 cm.
內容註:	Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism/ Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element/ Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse/ James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative/ Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance/ Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate/ Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man/ Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse.
標題:	Film criticism. -
電子資源:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=104399An electronic book accessible through the World Wide Web; click for information
ISBN:	0585499586 (electronic bk.)

The terministic screen = rhetorical perspectives on film /
The terministic screenrhetorical perspectives on film /[electronic resource] :edited by David Blakesley. - Carbondale :Southern Illinois University Press,c2003. - x, 312 p. :ill. ;24 cm.

Includes bibliographical references and index.

Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism/ Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element/ Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse/ James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative/ Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance/ Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate/ Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man/ Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.

Available via World Wide Web.

ISBN: 0585499586 (electronic bk.)Subjects--Topical Terms:

587046
Film criticism.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1994 / .T47 2003eb

Dewey Class. No.: 791.43

The terministic screen = rhetorical perspectives on film /
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245 0 4 $a The terministic screen $h [electronic resource] : $b rhetorical perspectives on film / $c edited by David Blakesley.
260 $a Carbondale : $c c2003. $b Southern Illinois University Press,
300 $a x, 312 p. : $b ill. ; $c 24 cm.
504 $a Includes bibliographical references and index.
505 0 $a Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism/ Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element/ Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse/ James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative/ Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance/ Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate/ Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man/ Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse.
533 $a Electronic reproduction. $b Boulder, Colo. : $c NetLibrary, $d 2004. $n Available via World Wide Web. $n Access may be limited to NetLibrary affiliated libraries.
650 $a Film criticism. $3 587046
650 $a Motion pictures $x Philosophy. $3 550295
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994 $a 92 $b AMF