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Knight, Arthur.

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Soundtrack available = essays on film and popular music /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Soundtrack available/ edited by Pamela Robertson Wojcik and Arthur Knight.
Reminder of title:	essays on film and popular music /
other author:	Knight, Arthur.
Published:	Durham :Duke University Press, : 2001.,
Description:	x, 491 p. :ill. ;25 cm.
[NT 15003449]:	Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music/ Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head/ Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse r歋aliste in 1930s French cinema/ Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case/ Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings/ Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County/ Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism/ Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre/ Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
Subject:	Motion picture music - History and criticism. -
Online resource:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=107392An electronic book accessible through the World Wide Web; click for information
ISBN:	0822380986 (electronic bk.)

Soundtrack available = essays on film and popular music /
Soundtrack availableessays on film and popular music /[electronic resource] :edited by Pamela Robertson Wojcik and Arthur Knight. - Durham :Duke University Press,2001. - x, 491 p. :ill. ;25 cm.

Includes bibliographical references (p. [455]-473) and index.

Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music/ Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head/ Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse r歋aliste in 1930s French cinema/ Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case/ Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings/ Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County/ Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism/ Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre/ Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.

Available via World Wide Web.

ISBN: 0822380986 (electronic bk.)Subjects--Topical Terms:

797628
Motion picture music
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML2075 / .S68 2001eb

Dewey Class. No.: 781.5/42/09

Soundtrack available = essays on film and popular music /
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505 0 # $a Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music/ Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head/ Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse r歋aliste in 1930s French cinema/ Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case/ Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings/ Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County/ Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism/ Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre/ Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
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