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The invisible body in Chinese calligraphy and painting

Record Type:	Electronic resources : Monograph/item
Title/Author:	The invisible body in Chinese calligraphy and painting/ by Jianping Gao.
Author:	Gao, Jianping.
Published:	Singapore :Springer Nature Singapore : : 2025.,
Description:	vi, 146 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	Introduction Chinese Society and Literati Painting -- The Quality of a Line -- The Relationships Between Lines -- The Act of Painting Part One: Performance, Expression, and Strength -- The Act of Painting Part Two: Momentum, Rhythm, and Time -- Painter, Painting, and the Painted: Penetrating the Appearance of the World -- Painter, Painting, and the Painted: Demonstrating the Self through Action -- A Unity of Expressive Act.
Contained By:	Springer Nature eBook
Subject:	Calligraphy, Chinese. -
Online resource:	https://doi.org/10.1007/978-981-96-6646-1
ISBN:	9789819666461

The invisible body in Chinese calligraphy and painting
Gao, Jianping.

The invisible body in Chinese calligraphy and painting[electronic resource] /by Jianping Gao. - Singapore :Springer Nature Singapore :2025. - vi, 146 p. :ill. (some col.), digital ;24 cm. - China Academic Library,2195-1861. - China Academic Library..

Introduction Chinese Society and Literati Painting -- The Quality of a Line -- The Relationships Between Lines -- The Act of Painting Part One: Performance, Expression, and Strength -- The Act of Painting Part Two: Momentum, Rhythm, and Time -- Painter, Painting, and the Painted: Penetrating the Appearance of the World -- Painter, Painting, and the Painted: Demonstrating the Self through Action -- A Unity of Expressive Act.

This book explores Chinese calligraphy and painting from an aesthetic perspective, using modern visual theory to analyze the theoretical implications of the relationship between ancient Chinese literati painting and calligraphy, in contrast to Western aesthetic traditions. It highlights the action-oriented nature of Chinese calligraphy and painting, demonstrating that these art forms should be viewed not as static images, but as dynamic traces of the artist's expressive movements. This book is ideal for those interested in aesthetics, art historians, scholars of visual theory, and anyone fascinated by the dynamic essence of Chinese artistic traditions.

ISBN: 9789819666461

Standard No.: 10.1007/978-981-96-6646-1doiSubjects--Topical Terms:

665312
Calligraphy, Chinese.

LC Class. No.: NK3634.A2

Dewey Class. No.: 744.429951

The invisible body in Chinese calligraphy and painting
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505 0 $a Introduction Chinese Society and Literati Painting -- The Quality of a Line -- The Relationships Between Lines -- The Act of Painting Part One: Performance, Expression, and Strength -- The Act of Painting Part Two: Momentum, Rhythm, and Time -- Painter, Painting, and the Painted: Penetrating the Appearance of the World -- Painter, Painting, and the Painted: Demonstrating the Self through Action -- A Unity of Expressive Act.
520 $a This book explores Chinese calligraphy and painting from an aesthetic perspective, using modern visual theory to analyze the theoretical implications of the relationship between ancient Chinese literati painting and calligraphy, in contrast to Western aesthetic traditions. It highlights the action-oriented nature of Chinese calligraphy and painting, demonstrating that these art forms should be viewed not as static images, but as dynamic traces of the artist's expressive movements. This book is ideal for those interested in aesthetics, art historians, scholars of visual theory, and anyone fascinated by the dynamic essence of Chinese artistic traditions.
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