東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Governance, identity and place of graffiti

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Governance, identity and place of graffiti/ by Kerun Li.
作者:	Li, Kerun.
出版者:	Singapore :Springer Nature Singapore : : 2025.,
面頁冊數:	xiii, 121 p. :ill., digital ;24 cm.
內容註:	Graffiti 'Governance': An Example of Graffiti From a Tunnel -- Public Space and Publicity: The Spatial Practice of Tunnel Graffiti -- Sense of Place: The Social Construction of Graffiti Places -- Legitimacy: Negotiation of Actors in a Regulatory System.
Contained By:	Springer Nature eBook
標題:	Graffiti - China. -
電子資源:	https://doi.org/10.1007/978-981-96-6487-0
ISBN:	9789819664870

Governance, identity and place of graffiti
Li, Kerun.

Governance, identity and place of graffiti[electronic resource] /by Kerun Li. - Singapore :Springer Nature Singapore :2025. - xiii, 121 p. :ill., digital ;24 cm.

Graffiti 'Governance': An Example of Graffiti From a Tunnel -- Public Space and Publicity: The Spatial Practice of Tunnel Graffiti -- Sense of Place: The Social Construction of Graffiti Places -- Legitimacy: Negotiation of Actors in a Regulatory System.

This book offers a comprehensive overview of graffiti culture in China, particularly through the example of graffiti in the Furong Tunnel at Xiamen University. It explores the complex relationship between graffiti as an art form and social behavior, focusing on its definition, legality, public space conflicts, sense of place, and interactions under management systems. Firstly, the book discusses the varying definitions of graffiti in Western and Chinese contexts. Using the Furong Tunnel graffiti as a case study, it examines the line between artistic expression and vandalism, highlighting issues of legality, sense of place, and publicness. Secondly, it delves into the practice of graffiti in public spaces, particularly within Xiamen University. The graffiti in the Furong Tunnel has sparked debates about the conflict between educational and social functions, altering the tunnel's spatial form and function. It has become a focal point for conflicts between tourists and students, reflecting the complexity of campus space. The book also explores how graffiti constructs a sense of place and its associated social conflicts. By tracing the historical development of tunnel graffiti, it shows how graffiti becomes a collective memory and cultural symbol, serving as a medium for students to express emotions and construct local identities. Furthermore, the book addresses the legality of graffiti and the negotiation among actors under management systems. Although not legally considered a tourism resource, the university's stance is ambiguous, balancing strict regulations with using graffiti for publicity. Specific incidents of vandalism highlight conflicts between graffiti culture and campus management, discussing issues of protection and restoration. Lastly, the book examines ownership and management of graffiti. Conflicts over preservation and usage rights between students and tourists show the university's role as a coordinator. It emphasizes graffiti's importance in campus culture and as a promotional tool, while also noting that management measures might limit free expression, leading to homogenization concerns. Using multiple research methods, this book explores the social and political implications of graffiti, emphasizing the interactions and conflicts among stakeholders. It reveals the significance of graffiti in Chinese society and offers solutions to issues concerning graffiti culture in contemporary China.

ISBN: 9789819664870

Standard No.: 10.1007/978-981-96-6487-0doiSubjects--Topical Terms:

3786472
Graffiti
--China.

LC Class. No.: GT3913.7.A2 / L52 2025

Dewey Class. No.: 751.730951

Governance, identity and place of graffiti
LDR:03749nmm a2200349 a 4500 001 2411757
003 DE-He213
005 20250529130245.0
006 m d
007 cr nn 008maaau
008 260204s2025 si s 0 eng d
020 $a 9789819664870 $q (electronic bk.)
020 $a 9789819664863 $q (paper)
024 7 $a 10.1007/978-981-96-6487-0 $2 doi
035 $a 978-981-96-6487-0
040 $a GP $c GP
041 0 $a eng
050 4 $a GT3913.7.A2 $b L52 2025
072 7 $a JHB $2 bicssc
072 7 $a JFC $2 bicssc
072 7 $a SOC026000 $2 bisacsh
072 7 $a JHB $2 thema
072 7 $a JBCC $2 thema
082 0 4 $a 751.730951 $2 23
090 $a GT3913.7.A2 $b L693 2025
100 1 $a Li, Kerun. $3 3786471
245 1 0 $a Governance, identity and place of graffiti $h [electronic resource] / $c by Kerun Li.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2025.
300 $a xiii, 121 p. : $b ill., digital ; $c 24 cm.
505 0 $a Graffiti 'Governance': An Example of Graffiti From a Tunnel -- Public Space and Publicity: The Spatial Practice of Tunnel Graffiti -- Sense of Place: The Social Construction of Graffiti Places -- Legitimacy: Negotiation of Actors in a Regulatory System.
520 $a This book offers a comprehensive overview of graffiti culture in China, particularly through the example of graffiti in the Furong Tunnel at Xiamen University. It explores the complex relationship between graffiti as an art form and social behavior, focusing on its definition, legality, public space conflicts, sense of place, and interactions under management systems. Firstly, the book discusses the varying definitions of graffiti in Western and Chinese contexts. Using the Furong Tunnel graffiti as a case study, it examines the line between artistic expression and vandalism, highlighting issues of legality, sense of place, and publicness. Secondly, it delves into the practice of graffiti in public spaces, particularly within Xiamen University. The graffiti in the Furong Tunnel has sparked debates about the conflict between educational and social functions, altering the tunnel's spatial form and function. It has become a focal point for conflicts between tourists and students, reflecting the complexity of campus space. The book also explores how graffiti constructs a sense of place and its associated social conflicts. By tracing the historical development of tunnel graffiti, it shows how graffiti becomes a collective memory and cultural symbol, serving as a medium for students to express emotions and construct local identities. Furthermore, the book addresses the legality of graffiti and the negotiation among actors under management systems. Although not legally considered a tourism resource, the university's stance is ambiguous, balancing strict regulations with using graffiti for publicity. Specific incidents of vandalism highlight conflicts between graffiti culture and campus management, discussing issues of protection and restoration. Lastly, the book examines ownership and management of graffiti. Conflicts over preservation and usage rights between students and tourists show the university's role as a coordinator. It emphasizes graffiti's importance in campus culture and as a promotional tool, while also noting that management measures might limit free expression, leading to homogenization concerns. Using multiple research methods, this book explores the social and political implications of graffiti, emphasizing the interactions and conflicts among stakeholders. It reveals the significance of graffiti in Chinese society and offers solutions to issues concerning graffiti culture in contemporary China.
650 0 $a Graffiti $z China. $3 3786472
650 0 $a Graffiti $x Law and legislation $z China. $3 3786473
650 1 4 $a Sociology of Culture. $3 2162782
650 2 4 $a Space and Place in Culture. $3 3599331
650 2 4 $a Governance and Government. $3 3220859
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-96-6487-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)