東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Women poets, male publishers = myth vs. market in post-1960s Britain /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Women poets, male publishers/ by Lise Jaillant.
其他題名:	myth vs. market in post-1960s Britain /
作者:	Jaillant, Lise.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	xvii, 272 p. :ill. (some col.), digital ;24 cm.
內容註:	Introduction -- Chapter 1: Anthologies of Women Poetry, Male Publishers and the Literary Canon -- Chapter 2: Women, Ethnic Minorities and the Forgotten History of Carcanet Magazine, 1962-1970 -- Chapter 3: Turning H. D. into a Classic - The Role of Carcanet Press -- Chapter 4: PN Review, Feminism and the Arts Council of Great Britain -- Chapter 5: Elizabeth Jennings and the UK Poetry Market -- Chapter 6: Sylvia Plath, Women's Poetry and the Canon Wars of the 1970s -- Chapter 7: The Survival of Carcanet Press -- Chapter 7: Conclusion.
Contained By:	Springer Nature eBook
標題:	English poetry - Publishing -
電子資源:	https://doi.org/10.1007/978-3-031-84154-5
ISBN:	9783031841545

Women poets, male publishers = myth vs. market in post-1960s Britain /
Jaillant, Lise.

Women poets, male publishersmyth vs. market in post-1960s Britain /[electronic resource] :by Lise Jaillant. - Cham :Springer Nature Switzerland :2025. - xvii, 272 p. :ill. (some col.), digital ;24 cm. - New directions in book history,2634-6125. - New directions in book history..

Introduction -- Chapter 1: Anthologies of Women Poetry, Male Publishers and the Literary Canon -- Chapter 2: Women, Ethnic Minorities and the Forgotten History of Carcanet Magazine, 1962-1970 -- Chapter 3: Turning H. D. into a Classic - The Role of Carcanet Press -- Chapter 4: PN Review, Feminism and the Arts Council of Great Britain -- Chapter 5: Elizabeth Jennings and the UK Poetry Market -- Chapter 6: Sylvia Plath, Women's Poetry and the Canon Wars of the 1970s -- Chapter 7: The Survival of Carcanet Press -- Chapter 7: Conclusion.

Open access.

We are often told that the women's movement of the 1960s and 1970s led to the rediscovery of forgotten women writers. Without feminist presses such as Virago, these women would have sunk into obscurity. Thanks to Carmen Callil and other trailblazing feminist publishers, a canon of women's literature emerged, and living writers managed to survive and sometimes thrive in a literary marketplace that had so far been dominated by men. Although obstacles remained, the story is one of the triumphs over a misogynistic publishing industry-a sector that had once sought to erase women writers of the past, marginalise living authors, and close the doors to any future legacy. There are two problems with this oft-repeated story. First, it focuses mainly on fiction rather than poetry (founded in 1973, Virago did not start publishing poetry until the early 1980s). Second, it neglects the major role that conservative male publishers played in (re)discovering women poets in post-1960s Britain. With the growing influence of the Women's Liberation movement, these publishers realised that there was a growing market for poetry by women. At the same time, the Arts Council of Great Britain started pushing for more diversity, nudging its "clients" to make more room for women and ethnic minorities. Drawing on extensive archival work and oral history interviews, this open access book pushes the boundaries of a scholarship that has focused mainly on women's poetry in relation to women's presses. Archival documents show the influence of the Arts Council and the market in pushing conservative publishers towards more diversity. This evolution has had long-term consequences on the canon of women's poetry, a canon that was largely shaped by conservative publishing houses rather than radical feminist presses. Lise Jaillant is Professor in Digital Cultural Heritage at Loughborough University, UK. Previous publications include three monographs; twenty-one articles; eleven book chapters; three edited books and seven journal special issues. In recent years, Lise has developed collaborations with multiple museums/special collections libraries, building on her expertise in publishing history in the digital age.

ISBN: 9783031841545

Standard No.: 10.1007/978-3-031-84154-5doiSubjects--Topical Terms:

3785426
English poetry
--Publishing

LC Class. No.: Z326

Dewey Class. No.: 070.50941

Women poets, male publishers = myth vs. market in post-1960s Britain /
LDR:03842nmm a2200349 a 4500 001 2411114
003 DE-He213
005 20250317115245.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031841545 $q (electronic bk.)
020 $a 9783031841538 $q (paper)
024 7 $a 10.1007/978-3-031-84154-5 $2 doi
035 $a 978-3-031-84154-5
040 $a GP $c GP
041 0 $a eng
050 4 $a Z326
072 7 $a GL $2 bicssc
072 7 $a LAN025000 $2 bisacsh
072 7 $a GL $2 thema
082 0 4 $a 070.50941 $2 23
090 $a Z326 $b .J25 2025
100 1 $a Jaillant, Lise. $3 3440458
245 1 0 $a Women poets, male publishers $h [electronic resource] : $b myth vs. market in post-1960s Britain / $c by Lise Jaillant.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xvii, 272 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a New directions in book history, $x 2634-6125
505 0 $a Introduction -- Chapter 1: Anthologies of Women Poetry, Male Publishers and the Literary Canon -- Chapter 2: Women, Ethnic Minorities and the Forgotten History of Carcanet Magazine, 1962-1970 -- Chapter 3: Turning H. D. into a Classic - The Role of Carcanet Press -- Chapter 4: PN Review, Feminism and the Arts Council of Great Britain -- Chapter 5: Elizabeth Jennings and the UK Poetry Market -- Chapter 6: Sylvia Plath, Women's Poetry and the Canon Wars of the 1970s -- Chapter 7: The Survival of Carcanet Press -- Chapter 7: Conclusion.
506 $a Open access.
520 $a We are often told that the women's movement of the 1960s and 1970s led to the rediscovery of forgotten women writers. Without feminist presses such as Virago, these women would have sunk into obscurity. Thanks to Carmen Callil and other trailblazing feminist publishers, a canon of women's literature emerged, and living writers managed to survive and sometimes thrive in a literary marketplace that had so far been dominated by men. Although obstacles remained, the story is one of the triumphs over a misogynistic publishing industry-a sector that had once sought to erase women writers of the past, marginalise living authors, and close the doors to any future legacy. There are two problems with this oft-repeated story. First, it focuses mainly on fiction rather than poetry (founded in 1973, Virago did not start publishing poetry until the early 1980s). Second, it neglects the major role that conservative male publishers played in (re)discovering women poets in post-1960s Britain. With the growing influence of the Women's Liberation movement, these publishers realised that there was a growing market for poetry by women. At the same time, the Arts Council of Great Britain started pushing for more diversity, nudging its "clients" to make more room for women and ethnic minorities. Drawing on extensive archival work and oral history interviews, this open access book pushes the boundaries of a scholarship that has focused mainly on women's poetry in relation to women's presses. Archival documents show the influence of the Arts Council and the market in pushing conservative publishers towards more diversity. This evolution has had long-term consequences on the canon of women's poetry, a canon that was largely shaped by conservative publishing houses rather than radical feminist presses. Lise Jaillant is Professor in Digital Cultural Heritage at Loughborough University, UK. Previous publications include three monographs; twenty-one articles; eleven book chapters; three edited books and seven journal special issues. In recent years, Lise has developed collaborations with multiple museums/special collections libraries, building on her expertise in publishing history in the digital age.
650 0 $a English poetry $x Publishing $x History. $3 3785426
650 0 $a Publishers and publishing $z Great Britain $x History $y 20th century. $3 1099024
650 0 $a English poetry $x Women authors $x History and criticism. $3 689521
650 1 4 $a History of the Book. $3 2200187
650 2 4 $a Poetry and Poetics. $3 2181924
650 2 4 $a Literature Business. $3 3596331
650 2 4 $a Cultural History. $3 2186830
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a New directions in book history. $3 2200185
856 4 0 $u https://doi.org/10.1007/978-3-031-84154-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)