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The Akathistos hymnos and intermedia...

Orthodox Eastern Church.

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The Akathistos hymnos and intermedial compositional processes in later Byzantium = sung, written, painted /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Akathistos hymnos and intermedial compositional processes in later Byzantium/ edited by Jon C. Cubas Díaz.
Reminder of title:	sung, written, painted /
other author:	Cubas Díaz, Jon C.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xxi, 391 p. :ill. (chiefly color), digital ;24 cm.
[NT 15003449]:	Chapter 1. Sung, Written, Painted: New Approaches to the Akathistos Hymn -- Chapter 2. The Manuscript Tradition of the Akathistos Hymn -- Chapter 3. Hail, Bride Without Bridegroom! Alleluia!: The Akathistos Refrains in Simple Chant and Artful Composition -- Chapter 4. When Iconography and Typika Meet: Performing the Ἀκάθιστος ὕμνος in Time and Space -- Chapter 5. The Ἀκάθιστος ὕμνος as Musical Staging: Between Phantasmagoria and Reality -- Chapter 6. The Cycle of the Akathistos Hymn in the 'Latin Chapel' of the Monastery of St. John Lampadistis in Kalopanagiotis, Cyprus -- Chapter 7. A Song of Victory on the Eve of the Fall: Re-framing the Akathistos Escurialensis -- Chapter 8. The Visual Rendering of the Akathistos Hymn in Venetian Crete: Unfolding Its Compositional Processes -- Chapter 9. Iconographical, Liturgical, and Dogmatic Aspects of the Akathistos Hymn in Cyprus -- Chapter 10. From Liturgy to Private Devotion: The Akathistos Hymn in Late Sixteenth-Century Moldavia -- Chapter 11. The Akathistos Aniconically: Meditations on Unsettled Seeing -- Chapter 12. Composition, Mediality, and the Akathistos Narratives.
Contained By:	Springer Nature eBook
Subject:	Hymns, Greek - History and criticism. - Byzantine Empire -
Online resource:	https://doi.org/10.1007/978-3-031-62788-0
ISBN:	9783031627880

The Akathistos hymnos and intermedial compositional processes in later Byzantium = sung, written, painted /
The Akathistos hymnos and intermedial compositional processes in later Byzantiumsung, written, painted /[electronic resource] :edited by Jon C. Cubas Díaz. - Cham :Springer Nature Switzerland :2025. - xxi, 391 p. :ill. (chiefly color), digital ;24 cm. - New approaches to Byzantine history and culture,2730-9371. - New approaches to Byzantine history and culture..

Chapter 1. Sung, Written, Painted: New Approaches to the Akathistos Hymn -- Chapter 2. The Manuscript Tradition of the Akathistos Hymn -- Chapter 3. Hail, Bride Without Bridegroom! Alleluia!: The Akathistos Refrains in Simple Chant and Artful Composition -- Chapter 4. When Iconography and Typika Meet: Performing the Ἀκάθιστος ὕμνος in Time and Space -- Chapter 5. The Ἀκάθιστος ὕμνος as Musical Staging: Between Phantasmagoria and Reality -- Chapter 6. The Cycle of the Akathistos Hymn in the 'Latin Chapel' of the Monastery of St. John Lampadistis in Kalopanagiotis, Cyprus -- Chapter 7. A Song of Victory on the Eve of the Fall: Re-framing the Akathistos Escurialensis -- Chapter 8. The Visual Rendering of the Akathistos Hymn in Venetian Crete: Unfolding Its Compositional Processes -- Chapter 9. Iconographical, Liturgical, and Dogmatic Aspects of the Akathistos Hymn in Cyprus -- Chapter 10. From Liturgy to Private Devotion: The Akathistos Hymn in Late Sixteenth-Century Moldavia -- Chapter 11. The Akathistos Aniconically: Meditations on Unsettled Seeing -- Chapter 12. Composition, Mediality, and the Akathistos Narratives.

This book explores intermedial compositional processes in later Byzantium, building on the Akathistos Hymnos. The relationship between the hymn's text, music, and illustrations has yet to be explored in detail. The contributions here argue that these painted cycles should be studied as a result of interaction between hymnography, psalmody, and visual art, not just as mere illustration of text. Highlighting illuminated and notated manuscript copies of the hymn as evidence for varied liturgical and devotional practices, they examine how icons and murals based on the Akathistos functioned as constituent elements of sacred space. Focusing on intermediality, this book helps bridge methodological gaps between scholarly approaches to medieval culture. Jon C. Cubas Díaz is Lecturer at the University of Göttingen, Germany. He previously held teaching and research positions at the University of Heidelberg and the University of Rostock.

ISBN: 9783031627880

Standard No.: 10.1007/978-3-031-62788-0doiSubjects--Corporate Names:

3785216
Orthodox Eastern Church.
Akathistos hymnos.Subjects--Topical Terms:

3785218
Hymns, Greek
--History and criticism.--Byzantine Empire

LC Class. No.: BX375.A55

Dewey Class. No.: 782.2709

The Akathistos hymnos and intermedial compositional processes in later Byzantium = sung, written, painted /
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505 0 $a Chapter 1. Sung, Written, Painted: New Approaches to the Akathistos Hymn -- Chapter 2. The Manuscript Tradition of the Akathistos Hymn -- Chapter 3. Hail, Bride Without Bridegroom! Alleluia!: The Akathistos Refrains in Simple Chant and Artful Composition -- Chapter 4. When Iconography and Typika Meet: Performing the Ἀκάθιστος ὕμνος in Time and Space -- Chapter 5. The Ἀκάθιστος ὕμνος as Musical Staging: Between Phantasmagoria and Reality -- Chapter 6. The Cycle of the Akathistos Hymn in the 'Latin Chapel' of the Monastery of St. John Lampadistis in Kalopanagiotis, Cyprus -- Chapter 7. A Song of Victory on the Eve of the Fall: Re-framing the Akathistos Escurialensis -- Chapter 8. The Visual Rendering of the Akathistos Hymn in Venetian Crete: Unfolding Its Compositional Processes -- Chapter 9. Iconographical, Liturgical, and Dogmatic Aspects of the Akathistos Hymn in Cyprus -- Chapter 10. From Liturgy to Private Devotion: The Akathistos Hymn in Late Sixteenth-Century Moldavia -- Chapter 11. The Akathistos Aniconically: Meditations on Unsettled Seeing -- Chapter 12. Composition, Mediality, and the Akathistos Narratives.
520 $a This book explores intermedial compositional processes in later Byzantium, building on the Akathistos Hymnos. The relationship between the hymn's text, music, and illustrations has yet to be explored in detail. The contributions here argue that these painted cycles should be studied as a result of interaction between hymnography, psalmody, and visual art, not just as mere illustration of text. Highlighting illuminated and notated manuscript copies of the hymn as evidence for varied liturgical and devotional practices, they examine how icons and murals based on the Akathistos functioned as constituent elements of sacred space. Focusing on intermediality, this book helps bridge methodological gaps between scholarly approaches to medieval culture. Jon C. Cubas Díaz is Lecturer at the University of Göttingen, Germany. He previously held teaching and research positions at the University of Heidelberg and the University of Rostock.
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