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A Comparison of Two Sets of Variatio...

Kuhny, Anne Marie.

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A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22./
Author:	Kuhny, Anne Marie.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	167 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
Contained By:	Dissertations Abstracts International80-06A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13804584
ISBN:	9780438729049

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
Kuhny, Anne Marie.

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 167 p.

Source: Dissertations Abstracts International, Volume: 80-06, Section: A.

Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2018.

This dissertation explores and compares two sets of variations that use Frederic Chopin's Prelude, op. 28, no. 20 as a theme: Sergei Rachmaninoff's Variations on a Theme by Chopin, op. 22 (1902-1903) and Ferruccio Busoni's Ten Variations on a Prelude by Chopin, BV 213a (1922). The first primary goal of this paper is to provide a comparative overview of the two variation sets through their different approaches to the use of the same musical theme, including historical, compositional, and performance considerations as well as recording history. While it is impossible to prove theories about a society's musical tastes, this study will provide a better understanding of culture and history surrounding these works. Through an examination of each composer's approach to variation form and their development of Chopin's Prelude, op. 28, no. 20, combined with a catalog of recordings of each work, the secondary goal is to be able to increase the understanding of the reception of both composers' use of the same work as a theme. This information will allow for greater inferences to be made about the development of musical tastes and history in recent years.

ISBN: 9780438729049Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Busoni, Ferruccio

A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
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245 1 2 $a A Comparison of Two Sets of Variations on Chopin's Prelude Op. 28, No. 20 in C Minor: Ferruccio Busoni's Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff's Variations on a Theme of Chopin, Op. 22.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 167 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-06, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Magee, Gayle S.
502 $a Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2018.
520 $a This dissertation explores and compares two sets of variations that use Frederic Chopin's Prelude, op. 28, no. 20 as a theme: Sergei Rachmaninoff's Variations on a Theme by Chopin, op. 22 (1902-1903) and Ferruccio Busoni's Ten Variations on a Prelude by Chopin, BV 213a (1922). The first primary goal of this paper is to provide a comparative overview of the two variation sets through their different approaches to the use of the same musical theme, including historical, compositional, and performance considerations as well as recording history. While it is impossible to prove theories about a society's musical tastes, this study will provide a better understanding of culture and history surrounding these works. Through an examination of each composer's approach to variation form and their development of Chopin's Prelude, op. 28, no. 20, combined with a catalog of recordings of each work, the secondary goal is to be able to increase the understanding of the reception of both composers' use of the same work as a theme. This information will allow for greater inferences to be made about the development of musical tastes and history in recent years.
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650 4 $a Musical performances. $3 3175508
653 $a Busoni, Ferruccio
653 $a Chopin, Frederic
653 $a Comparison
653 $a Piano
653 $a Rachmaninoff, Sergei
653 $a Recording history
653 $a Ten variations on a Theme by Chopin BV 213a
653 $a Variations
653 $a Variations on Chopin's Prelude op. 28 no. 20 in c minor
653 $a Variations on a Theme of Chopin op. 22
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710 2 $a University of Illinois at Urbana-Champaign. $b Music. $3 2105338
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792 $a 2018
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856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13804584