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The lonely letters /
~
Crawley, Ashon T.,
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The lonely letters /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The lonely letters // Ashon T. Crawley.
作者:
Crawley, Ashon T.,
出版者:
Durham :Duke University Press, : [2020],
面頁冊數:
270 pages :color illustrations ;23 cm
內容註:
Breath -- Shouting -- Noise -- Tongues -- Nothing.
標題:
African American Pentecostals - Biography. -
ISBN:
9781478007760
The lonely letters /
Crawley, Ashon T.,
The lonely letters /
Ashon T. Crawley. - Durham :Duke University Press,[2020] - 270 pages :color illustrations ;23 cm
Includes bibliographical references.
Breath -- Shouting -- Noise -- Tongues -- Nothing.
"The Lonely Letters is a Black queer critique of the normative world, practicing a restlessness of word and phrase that seeks existence otherwise. The book is a work of creative non-fiction, taking the form of a correspondence between characters A and Moth. The letters explore Blackness and queerness through the music and embodied experience of Blackpentecostal spaces. The correspondence is in epistolary form, organized into 5 sections: Breath, Shouting, Noise, Tongues, and Nothing. The first section opens with A's first letter to Moth about mysticism, and love, considering the embodied nature of Black queer experience in the Blackpentecostal church. Breath functions as a way of being open to the world, antithetical to western logics of the right way to be human -- being protected against vulnerability. The second chapter is about Blackpentecostal music and how the rhythm, tempo, and improvisation moves participants and listeners beyond the material realm into a deep world of feeling and connection. A describes how listening to the music became the paintings they created, which are also shown in this chapter. The paintings -- also by Crawley -- are created in sync with the shouting, stomping, and clapping of the Blackpentecostal tradition. The section called Noise is about quantum theory and mysticism as explorations into the possibilities of deep interconnection, romantically and within the larger community. Section 4, Tongues, is about joy, touch, and interconnection. Black joy functions as the context of Black emergence, with the flesh as the potential for sense experience. The last chapter, Nothing, is about the improvised music traditions of Black churches: how nothing functions as the space for creation. The Blackpentecostal church is described as a place that is fundamentally invitational, about transfer, about excess, the affect that lingers long after the music and musings are done. This book will be of interest to readers and scholars in African American studies, Black Diaspora studies, queer studies, and religious studies"--
ISBN: 9781478007760
LCCN: 2019033500Subjects--Personal Names:
3760842
Crawley, Ashon T.
Subjects--Topical Terms:
3760843
African American Pentecostals
--Biography.Index Terms--Genre/Form:
820021
Biographies.
LC Class. No.: BX8762.5.Z8 / C73 2020
Dewey Class. No.: 289.9/408996073
The lonely letters /
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"The Lonely Letters is a Black queer critique of the normative world, practicing a restlessness of word and phrase that seeks existence otherwise. The book is a work of creative non-fiction, taking the form of a correspondence between characters A and Moth. The letters explore Blackness and queerness through the music and embodied experience of Blackpentecostal spaces. The correspondence is in epistolary form, organized into 5 sections: Breath, Shouting, Noise, Tongues, and Nothing. The first section opens with A's first letter to Moth about mysticism, and love, considering the embodied nature of Black queer experience in the Blackpentecostal church. Breath functions as a way of being open to the world, antithetical to western logics of the right way to be human -- being protected against vulnerability. The second chapter is about Blackpentecostal music and how the rhythm, tempo, and improvisation moves participants and listeners beyond the material realm into a deep world of feeling and connection. A describes how listening to the music became the paintings they created, which are also shown in this chapter. The paintings -- also by Crawley -- are created in sync with the shouting, stomping, and clapping of the Blackpentecostal tradition. The section called Noise is about quantum theory and mysticism as explorations into the possibilities of deep interconnection, romantically and within the larger community. Section 4, Tongues, is about joy, touch, and interconnection. Black joy functions as the context of Black emergence, with the flesh as the potential for sense experience. The last chapter, Nothing, is about the improvised music traditions of Black churches: how nothing functions as the space for creation. The Blackpentecostal church is described as a place that is fundamentally invitational, about transfer, about excess, the affect that lingers long after the music and musings are done. This book will be of interest to readers and scholars in African American studies, Black Diaspora studies, queer studies, and religious studies"--
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