東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Ostalgie in German cinema after reunification

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ostalgie in German cinema after reunification/ by Tatiana Astafeva.
作者:	Astafeva, Tatiana.
出版者:	Cham :Springer Nature Switzerland : : 2024.,
面頁冊數:	vii, 220 p. :ill. (some col.), digital ;24 cm.
內容註:	Chapter 1. Introduction -- Chapter 2. Nostalgia: A Brief Outline -- Chapter 3. Defining Ostalgie: Theoretical Background -- Chapter 4. Reintroducing Ostalgie as a Film Genre -- Chapter 5. Experience of Distance -- Chapter 6. Tactile Encounters with the Recent Past -- Chapter 7. Ostalgie, Retro, and Kitsch -- Chapter 8. Functions of Ostalgic Historical Experience.
Contained By:	Springer Nature eBook
標題:	Motion pictures - History - 20th century. - Germany -
標題:	Germany (East) - In motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-031-75006-9
ISBN:	9783031750069

Ostalgie in German cinema after reunification
Astafeva, Tatiana.

Ostalgie in German cinema after reunification[electronic resource] /by Tatiana Astafeva. - Cham :Springer Nature Switzerland :2024. - vii, 220 p. :ill. (some col.), digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. Nostalgia: A Brief Outline -- Chapter 3. Defining Ostalgie: Theoretical Background -- Chapter 4. Reintroducing Ostalgie as a Film Genre -- Chapter 5. Experience of Distance -- Chapter 6. Tactile Encounters with the Recent Past -- Chapter 7. Ostalgie, Retro, and Kitsch -- Chapter 8. Functions of Ostalgic Historical Experience.

This book provides a thorough overview of the ostalgie films about the German Democratic Republic (GDR) produced since the 1990s. Far from being a homogenous phenomenon that romanticizes the totalitarian state, the ostalgie genre is multifaceted, reflexive, and at times subversive. Thus, Astafeva argues, the core of "ostalgie" is an experience of distance that is 'prefocused' by various aesthetic strategies. This genre-based definition makes it possible to conceptualize the phenomenon of ostalgie film in its heterogeneity and to reveal the mechanisms that lay in the essence of ostalgic experience. The cognitivist-phenomenological approach is underpinned by historiographic and genre theory and close analysis of film examples-from the most popular ostalgie films such as Goodbye, Lenin! (Wolfgang Becker, 2003) to lesser-known film productions and recent series such as Kleo (2022-2024)-that allow exploration of various functions of the ostalgic experience. Ostalgie films can foster uncritical reactionary and conservative views of history and expose the experience of distance by orienting aesthetics toward kitsch and retro. They can also encourage reflexive and meta-reflexive understandings of history so that the GDR past is critically discussed and reworked. Furthermore, ostalgie films can in some cases activate historical consciousness, facilitate the production of historical knowledge, and generate ethical thinking and empathy. Tatiana Astafeva is research fellow at the University of Bremen in the DFG-funded research project "German Film Comedy after the 'Third Reich': Political Aesthetics and Entertainment in German Transitional Films"" (2021-2024) and editor of OA journal Research in Film and History. Her experience also entails working for the BMBF-funded research project "Audiovisual Histospheres" (2019-2020). She holds a PhD from the Film University Babelsberg Konrad Wolf and received a scholarship from ZeM - Brandenburg Centre for Media Studies (2016-2019)

ISBN: 9783031750069

Standard No.: 10.1007/978-3-031-75006-9doiSubjects--Topical Terms:

853929
Motion pictures
--History--Germany--20th century.Subjects--Geographical Terms:

3754702
Germany (East)
--In motion pictures.

LC Class. No.: PN1993.5.G3

Dewey Class. No.: 791.43658431087

Ostalgie in German cinema after reunification
LDR:03393nmm a2200337 a 4500 001 2389148
003 DE-He213
005 20241227115300.0
006 m d
007 cr nn 008maaau
008 250916s2024 sz s 0 eng d
020 $a 9783031750069 $q (electronic bk.)
020 $a 9783031750052 $q (paper)
024 7 $a 10.1007/978-3-031-75006-9 $2 doi
035 $a 978-3-031-75006-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.G3
072 7 $a AP $2 bicssc
072 7 $a 1D $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $x 1D $2 thema
082 0 4 $a 791.43658431087 $2 23
090 $a PN1993.5.G3 $b A852 2024
100 1 $a Astafeva, Tatiana. $3 3754701
245 1 0 $a Ostalgie in German cinema after reunification $h [electronic resource] / $c by Tatiana Astafeva.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a vii, 220 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction -- Chapter 2. Nostalgia: A Brief Outline -- Chapter 3. Defining Ostalgie: Theoretical Background -- Chapter 4. Reintroducing Ostalgie as a Film Genre -- Chapter 5. Experience of Distance -- Chapter 6. Tactile Encounters with the Recent Past -- Chapter 7. Ostalgie, Retro, and Kitsch -- Chapter 8. Functions of Ostalgic Historical Experience.
520 $a This book provides a thorough overview of the ostalgie films about the German Democratic Republic (GDR) produced since the 1990s. Far from being a homogenous phenomenon that romanticizes the totalitarian state, the ostalgie genre is multifaceted, reflexive, and at times subversive. Thus, Astafeva argues, the core of "ostalgie" is an experience of distance that is 'prefocused' by various aesthetic strategies. This genre-based definition makes it possible to conceptualize the phenomenon of ostalgie film in its heterogeneity and to reveal the mechanisms that lay in the essence of ostalgic experience. The cognitivist-phenomenological approach is underpinned by historiographic and genre theory and close analysis of film examples-from the most popular ostalgie films such as Goodbye, Lenin! (Wolfgang Becker, 2003) to lesser-known film productions and recent series such as Kleo (2022-2024)-that allow exploration of various functions of the ostalgic experience. Ostalgie films can foster uncritical reactionary and conservative views of history and expose the experience of distance by orienting aesthetics toward kitsch and retro. They can also encourage reflexive and meta-reflexive understandings of history so that the GDR past is critically discussed and reworked. Furthermore, ostalgie films can in some cases activate historical consciousness, facilitate the production of historical knowledge, and generate ethical thinking and empathy. Tatiana Astafeva is research fellow at the University of Bremen in the DFG-funded research project "German Film Comedy after the 'Third Reich': Political Aesthetics and Entertainment in German Transitional Films"" (2021-2024) and editor of OA journal Research in Film and History. Her experience also entails working for the BMBF-funded research project "Audiovisual Histospheres" (2019-2020). She holds a PhD from the Film University Babelsberg Konrad Wolf and received a scholarship from ZeM - Brandenburg Centre for Media Studies (2016-2019)
650 0 $a Motion pictures $z Germany $x History $y 20th century. $3 853929
650 0 $a Motion pictures $z Germany $x History $y 21st century. $3 1976822
650 1 4 $a European Film and TV. $3 3599307
650 2 4 $a Genre Studies. $3 3602116
650 2 4 $a History of Germany and Central Europe. $3 2195211
651 0 $a Germany (East) $x In motion pictures. $3 3754702
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-75006-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)