東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Essay cinema in the digital era

Record Type:	Electronic resources : Monograph/item
Title/Author:	Essay cinema in the digital era/ by James Slaymaker.
Author:	Slaymaker, James.
Published:	Cham :Springer Nature Switzerland : : 2024.,
Description:	ix, 271 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1 -- Introduction -- Chapter 2 -- Essay Cinema and Technological Innovation -- Chapter 3 -- Interactivity and Dialogical Exchange in Chris Marker's Immemory and Ouvroir -- Chapter 4 -- Jean-Luc Godard, Intertextuality, and Digital Remix Culture -- Chapter 5 -- Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman's No Home Movie -- Chapter 6 -- Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki's Serious Games I-IV and Parallel I-IV -- Chapter 7 -- Conclusion: Essaying the Future -- Index.
Contained By:	Springer Nature eBook
Subject:	Experimental films - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-031-74042-8
ISBN:	9783031740428

Essay cinema in the digital era
Slaymaker, James.

Essay cinema in the digital era[electronic resource] /by James Slaymaker. - Cham :Springer Nature Switzerland :2024. - ix, 271 p. :ill., digital ;24 cm.

Chapter 1 -- Introduction -- Chapter 2 -- Essay Cinema and Technological Innovation -- Chapter 3 -- Interactivity and Dialogical Exchange in Chris Marker's Immemory and Ouvroir -- Chapter 4 -- Jean-Luc Godard, Intertextuality, and Digital Remix Culture -- Chapter 5 -- Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman's No Home Movie -- Chapter 6 -- Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki's Serious Games I-IV and Parallel I-IV -- Chapter 7 -- Conclusion: Essaying the Future -- Index.

This book explores the impact of digital technology on the essay film in the early 21st century, arguing that the cinematic essay has been associated with technological evolution throughout its history. The author considers the output of four towering figures in essay filmmaking: Harun Farocki, Chris Marker, Chantal Akerman and Jean-Luc Godard, and explores the ways in which these directors utilise aesthetic strategies, editing techniques, and modes of spectatorial address that are rooted in the capabilities of digital technologies. Slaymaker conceptualises the cinematic essay as a self-reflexive mode of nonfiction cinema-one that foregrounds the filmmaking apparatus and the act of its own making, and which thereby launches an inquiry into the ontological nature of the cinematic image, the tools which construct it, and the wider artistic landscape in which it is embedded. James Slaymaker is a filmmaker, researcher and Teaching Fellow in Film Studies at Trinity College Dublin. He has written numerous journal articles, book chapters and conferences papers on digital technology, European cinema, the essay film, and experimental film. He is also a prolific writer of popular film criticism.

ISBN: 9783031740428

Standard No.: 10.1007/978-3-031-74042-8doiSubjects--Topical Terms:

744024
Experimental films
--History and criticism.

LC Class. No.: PN1995.9.E96

Dewey Class. No.: 791.43611

Essay cinema in the digital era
LDR:02731nmm a2200325 a 4500 001 2381086
003 DE-He213
005 20241129115314.0
006 m d
007 cr nn 008maaau
008 250418s2024 sz s 0 eng d
020 $a 9783031740428 $q (electronic bk.)
020 $a 9783031740411 $q (paper)
024 7 $a 10.1007/978-3-031-74042-8 $2 doi
035 $a 978-3-031-74042-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.E96
072 7 $a APFN $2 bicssc
072 7 $a PER004060 $2 bisacsh
072 7 $a ATF $x 6AQ $2 thema
082 0 4 $a 791.43611 $2 23
090 $a PN1995.9.E96 $b S631 2024
100 1 $a Slaymaker, James. $3 3735003
245 1 0 $a Essay cinema in the digital era $h [electronic resource] / $c by James Slaymaker.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a ix, 271 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1 -- Introduction -- Chapter 2 -- Essay Cinema and Technological Innovation -- Chapter 3 -- Interactivity and Dialogical Exchange in Chris Marker's Immemory and Ouvroir -- Chapter 4 -- Jean-Luc Godard, Intertextuality, and Digital Remix Culture -- Chapter 5 -- Capturing the Domestic Space in an Era of Ubiquitous Digital Media: Chantal Akerman's No Home Movie -- Chapter 6 -- Simulation, Gameplay, and the Non-Indexical Image in Harun Farocki's Serious Games I-IV and Parallel I-IV -- Chapter 7 -- Conclusion: Essaying the Future -- Index.
520 $a This book explores the impact of digital technology on the essay film in the early 21st century, arguing that the cinematic essay has been associated with technological evolution throughout its history. The author considers the output of four towering figures in essay filmmaking: Harun Farocki, Chris Marker, Chantal Akerman and Jean-Luc Godard, and explores the ways in which these directors utilise aesthetic strategies, editing techniques, and modes of spectatorial address that are rooted in the capabilities of digital technologies. Slaymaker conceptualises the cinematic essay as a self-reflexive mode of nonfiction cinema-one that foregrounds the filmmaking apparatus and the act of its own making, and which thereby launches an inquiry into the ontological nature of the cinematic image, the tools which construct it, and the wider artistic landscape in which it is embedded. James Slaymaker is a filmmaker, researcher and Teaching Fellow in Film Studies at Trinity College Dublin. He has written numerous journal articles, book chapters and conferences papers on digital technology, European cinema, the essay film, and experimental film. He is also a prolific writer of popular film criticism.
650 0 $a Experimental films $x History and criticism. $3 744024
650 1 4 $a Experimental Film. $3 3454177
650 2 4 $a European Film and TV. $3 3599307
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-74042-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)