東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Performing the queer past = public possessions /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performing the queer past/ Fintan Walsh.
Reminder of title:	public possessions /
Author:	Walsh, Fintan,
Published:	London, UK ;Methuen Drama, : 2023.,
Description:	1 online resource (xiii, 229 p.) :ill.
[NT 15003449]:	Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Re-enacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.
Subject:	2000-2099 -
Subject:	Theater - History - 21st century. -
Online resource:	https://doi.org/10.5040/9781350297999?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350297999

Performing the queer past = public possessions /
Walsh, Fintan,1979-

Performing the queer pastpublic possessions /[electronic resource] :Fintan Walsh. - London, UK ;Methuen Drama,2023. - 1 online resource (xiii, 229 p.) :ill. - Methuen drama agitations: text, politics and performances. - Methuen drama agitations: text, politics and performances..

Includes bibliographical references and index.

Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Re-enacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.

"How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"--

ISBN: 9781350297999Subjects--Chronological Terms:

2000-2099
Subjects--Topical Terms:

2004508
Theater
--History--21st century.Index Terms--Genre/Form:

2120736
History

LC Class. No.: PN2190 / .W35 2023eb

Dewey Class. No.: 792.09/05

Performing the queer past = public possessions /
LDR:02130nmm a2200301 a 4500 001 2378774
006 m o d
007 cr nn |||muauu
008 250310s2023 enka b 001 0 eng d
020 $a 9781350297999 $q (ebook)
020 $a 9781350297968 $q (hardback)
020 $a 9781350297975 $q (epub)
020 $a 9781350297982 $q (PDF)
020 $a 9781350298002 $q (paperback)
035 $a (OCoLC)1381888133
035 $a BP9781350297999BC
040 $a DLC $b eng $c DLC $d UKMGB $d OCLCF $d OCLCQ $d OCLCO $d YDX $d MUU $d OCLCO $d Y@Y $d YUS
041 0 $a eng
050 0 0 $a PN2190 $b .W35 2023eb
082 0 0 $a 792.09/05 $2 23/eng/20230427
100 1 $a Walsh, Fintan, $d 1979- $3 3730764
245 1 0 $a Performing the queer past $h [electronic resource] : $b public possessions / $c Fintan Walsh.
260 $a London, UK ; $a New York, NY : $b Methuen Drama, $c 2023.
300 $a 1 online resource (xiii, 229 p.) : $b ill.
490 1 $a Methuen drama agitations: text, politics and performances
504 $a Includes bibliographical references and index.
505 0 $a Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Re-enacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.
520 $a "How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"-- $c Provided by publisher.
648 7 $a 2000-2099 $2 fast
650 0 $a Theater $x History $y 21st century. $3 2004508
650 0 $a Sexual minorities in the theater. $3 3730766
650 0 $a Gender identity in the theater. $3 3730767
650 6 $a Identité de genre au théâtre. $3 3730768
650 6 $a Théâtre $x Histoire $y 21e siècle. $3 3730769
650 7 $a Gender identity in the theater $2 fast $3 3730770
650 7 $a Theater $v Biography. $3 3116687
655 7 $a History $2 fast $3 2120736
655 4 $a Electronic books. $2 lcsh $3 542853
830 0 $a Methuen drama agitations: text, politics and performances. $3 3730765
856 4 0 $u https://doi.org/10.5040/9781350297999?locatt=label:secondary_bloomsburyCollections