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Pinewood = anatomy of a film studio in post-war Britain /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Pinewood/ by Sarah Street.
Reminder of title:	anatomy of a film studio in post-war Britain /
Author:	Street, Sarah.
Published:	Cham :Springer Nature Switzerland : : 2024.,
Description:	xiii, 183 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	1.Setting the film studio stage -- 2. Cultures of innovation at Pinewood -- 3. In the studio and on location 1 -- 4. In the studio and on location 2 -- 5. Managerial culture and labour relations at Pinewood -- 6. Cultural life at Pinewood -- 7. Anatomy of Pinewood in transition -- Bibliography.
Contained By:	Springer Nature eBook
Subject:	Motion picture studios - History. - Great Britain -
Online resource:	https://doi.org/10.1007/978-3-031-51307-7
ISBN:	9783031513077

Pinewood = anatomy of a film studio in post-war Britain /
Street, Sarah.

Pinewoodanatomy of a film studio in post-war Britain /[electronic resource] :by Sarah Street. - Cham :Springer Nature Switzerland :2024. - xiii, 183 p. :ill. (some col.), digital ;24 cm.

1.Setting the film studio stage -- 2. Cultures of innovation at Pinewood -- 3. In the studio and on location 1 -- 4. In the studio and on location 2 -- 5. Managerial culture and labour relations at Pinewood -- 6. Cultural life at Pinewood -- 7. Anatomy of Pinewood in transition -- Bibliography.

Open access.

This open access book examines how Pinewood came to be Britain's dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history organized around key themes that are crucial to understanding the studios' longevity during a particularly turbulent period. Pinewood's survival at a time when other major film studios such as Denham closed, is explained. The book examines contemporary insights into how Pinewood's technologies and practices compared to Hollywood's when filmmaking methods were being scrutinized. Thirteen films produced in 1946-7 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depth focus on the in-house studio magazine the Pinewood Merry-Go Round which provides rare details of sports and leisure activities organized at the studios. Sarah Street is Professor of Film at the University of Bristol. Publications include British National Cinema (1997), Transatlantic Crossings: British Feature Films in the USA (2002), Colour Films in Britain: The Negotiation of Innovation, 1900-55 (2012), Chromatic Modernity: Color, Cinema, and Media of the 1920s (2019, with Joshua Yumibe), and The Eastmancolor Revolution (2021, with Keith M. Johnston, Paul Frith and Carolyn Rickards)

ISBN: 9783031513077

Standard No.: 10.1007/978-3-031-51307-7doiSubjects--Corporate Names:

3715933
Pinewood Studios.
Subjects--Topical Terms:

3715934
Motion picture studios
--History.--Great Britain

LC Class. No.: PN1999.P56

Dewey Class. No.: 791.430942

Pinewood = anatomy of a film studio in post-war Britain /
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506 $a Open access.
520 $a This open access book examines how Pinewood came to be Britain's dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history organized around key themes that are crucial to understanding the studios' longevity during a particularly turbulent period. Pinewood's survival at a time when other major film studios such as Denham closed, is explained. The book examines contemporary insights into how Pinewood's technologies and practices compared to Hollywood's when filmmaking methods were being scrutinized. Thirteen films produced in 1946-7 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depth focus on the in-house studio magazine the Pinewood Merry-Go Round which provides rare details of sports and leisure activities organized at the studios. Sarah Street is Professor of Film at the University of Bristol. Publications include British National Cinema (1997), Transatlantic Crossings: British Feature Films in the USA (2002), Colour Films in Britain: The Negotiation of Innovation, 1900-55 (2012), Chromatic Modernity: Color, Cinema, and Media of the 1920s (2019, with Joshua Yumibe), and The Eastmancolor Revolution (2021, with Keith M. Johnston, Paul Frith and Carolyn Rickards)
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