東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Contemporary dance choreography and spectatorship = embodied emotion /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Contemporary dance choreography and spectatorship/ by Lucía Piquero Álvarez.
Reminder of title:	embodied emotion /
Author:	Piquero Álvarez, Lucía.
Published:	Cham :Springer International Publishing : : 2024.,
Description:	xvii, 240 p. :ill. (chiefly col.), digital ;24 cm.
[NT 15003449]:	1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant's Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite's Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Choreography. -
Online resource:	https://doi.org/10.1007/978-3-031-44962-8
ISBN:	9783031449628

Contemporary dance choreography and spectatorship = embodied emotion /
Piquero Álvarez, Lucía.

Contemporary dance choreography and spectatorshipembodied emotion /[electronic resource] :by Lucía Piquero Álvarez. - Cham :Springer International Publishing :2024. - xvii, 240 p. :ill. (chiefly col.), digital ;24 cm.

1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant's Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite's Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.

This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself--its materials, its structures--as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being "read" in "languages" which alienate it. Even if emotion seems a significant part of people's engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist's personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012-2022 and head of the dance department between 2019-2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.

ISBN: 9783031449628

Standard No.: 10.1007/978-3-031-44962-8doiSubjects--Topical Terms:

745813
Choreography.

LC Class. No.: GV1782.5

Dewey Class. No.: 792.82

Contemporary dance choreography and spectatorship = embodied emotion /
LDR:02940nmm a2200325 a 4500 001 2368209
003 DE-He213
005 20231202172047.0
006 m d
007 cr nn 008maaau
008 241127s2024 sz s 0 eng d
020 $a 9783031449628 $q (electronic bk.)
020 $a 9783031449611 $q (paper)
024 7 $a 10.1007/978-3-031-44962-8 $2 doi
035 $a 978-3-031-44962-8
040 $a GP $c GP
041 0 $a eng
050 4 $a GV1782.5
072 7 $a ASD $2 bicssc
072 7 $a PER003000 $2 bisacsh
072 7 $a ATQ $2 thema
082 0 4 $a 792.82 $2 23
090 $a GV1782.5 $b .P666 2024
100 1 $a Piquero Álvarez, Lucía. $3 3711992
245 1 0 $a Contemporary dance choreography and spectatorship $h [electronic resource] : $b embodied emotion / $c by Lucía Piquero Álvarez.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xvii, 240 p. : $b ill. (chiefly col.), digital ; $c 24 cm.
505 0 $a 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant's Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite's Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
520 $a This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself--its materials, its structures--as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being "read" in "languages" which alienate it. Even if emotion seems a significant part of people's engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist's personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012-2022 and head of the dance department between 2019-2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
650 0 $a Choreography. $3 745813
650 0 $a Performing arts $x Audiences. $3 1006985
650 0 $a Emotions in dance. $3 3711993
650 1 4 $a Dance. $3 610547
650 2 4 $a Theatre and Performance Arts. $3 3538692
650 2 4 $a Contemporary Theatre and Performance. $3 3599286
650 2 4 $a Performers and Practitioners. $3 3264621
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-44962-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)