語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
Cello-Piano Duos : = Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Cello-Piano Duos :/
其他題名:
Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
作者:
Savella, Tristan.
面頁冊數:
1 online resource (231 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:
Dissertations Abstracts International84-12A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30247146click for full text (PQDT)
ISBN:
9798379763169
Cello-Piano Duos : = Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
Savella, Tristan.
Cello-Piano Duos :
Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist. - 1 online resource (231 pages)
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Thesis (D.M.A.)--University of Toronto (Canada), 2023.
Includes bibliographical references
The ability to play collaborative music is one of the most important skills learned by undergraduate students majoring in piano performance. As pianists are required to play with a range of instruments, they must be well informed of the unique features and idiosyncrasies presented by the combination of piano and the instrument, or instruments, with which they arecollaborating. Compared to other instrumentalists, undergraduate pianists often have less experience with collaborative music. Students learning orchestral instruments or voice generally acquire experience in various ensembles from a younger age. These experiences are viewed as a vital component of studying these instruments from a relatively early stage. The comparatively limited experience as collaborative musicians many pianists have before their undergraduate degrees amplifies the importance of teaching pianists various skills needed as collaborative pianists and chamber musicians.This document describes a method of analyzing works from the collaborative pianist's repertoire, exploring how a pianist can use analysis to develop their interpretation and conception of a chamber music work. Analysis can inform strategies for practice and rehearsal. Since this document focuses on repertoire for the cello-piano duo, it also identifies specific challenges and characteristics of the cello-piano instrumentation-a topic that has received little attention in the current literature.This dissertation is in four chapters. The first chapter provides a literature review, while also highlighting other relevant topics that have not been examined in the current literature. The second chapter presents insights from interviews with professional pianists and cellists regarding their early training and experiences with chamber and collaborative music. The third chapter proposes a step-by-step guide to analysis for the collaborative pianist, discusses how to use analysis when learning duo works for cello and piano, and addresses challenges specific to collaboration with the cello. The final chapter takes Rachmaninov's Sonata for Cello and Piano in G Minor, Op. 19 as a case study, demonstrating the practical application of the analytical process presented in the third chapter.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379763169Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Cello-piano duosIndex Terms--Genre/Form:
542853
Electronic books.
Cello-Piano Duos : = Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
LDR
:03673nmm a2200397K 4500
001
2364567
005
20231130105839.5
006
m o d
007
cr mn ---uuuuu
008
241011s2023 xx obm 000 0 eng d
020
$a
9798379763169
035
$a
(MiAaPQ)AAI30247146
035
$a
AAI30247146
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Savella, Tristan.
$3
3705380
245
1 0
$a
Cello-Piano Duos :
$b
Analytical, Practical and Rehearsal Strategies for the Collaborative Pianist.
264
0
$c
2023
300
$a
1 online resource (231 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500
$a
Advisor: McClelland, Ryan.
502
$a
Thesis (D.M.A.)--University of Toronto (Canada), 2023.
504
$a
Includes bibliographical references
520
$a
The ability to play collaborative music is one of the most important skills learned by undergraduate students majoring in piano performance. As pianists are required to play with a range of instruments, they must be well informed of the unique features and idiosyncrasies presented by the combination of piano and the instrument, or instruments, with which they arecollaborating. Compared to other instrumentalists, undergraduate pianists often have less experience with collaborative music. Students learning orchestral instruments or voice generally acquire experience in various ensembles from a younger age. These experiences are viewed as a vital component of studying these instruments from a relatively early stage. The comparatively limited experience as collaborative musicians many pianists have before their undergraduate degrees amplifies the importance of teaching pianists various skills needed as collaborative pianists and chamber musicians.This document describes a method of analyzing works from the collaborative pianist's repertoire, exploring how a pianist can use analysis to develop their interpretation and conception of a chamber music work. Analysis can inform strategies for practice and rehearsal. Since this document focuses on repertoire for the cello-piano duo, it also identifies specific challenges and characteristics of the cello-piano instrumentation-a topic that has received little attention in the current literature.This dissertation is in four chapters. The first chapter provides a literature review, while also highlighting other relevant topics that have not been examined in the current literature. The second chapter presents insights from interviews with professional pianists and cellists regarding their early training and experiences with chamber and collaborative music. The third chapter proposes a step-by-step guide to analysis for the collaborative pianist, discusses how to use analysis when learning duo works for cello and piano, and addresses challenges specific to collaboration with the cello. The final chapter takes Rachmaninov's Sonata for Cello and Piano in G Minor, Op. 19 as a case study, demonstrating the practical application of the analytical process presented in the third chapter.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
Music.
$3
516178
650
4
$a
Music education.
$3
3168367
650
4
$a
Musical performances.
$3
3175508
653
$a
Cello-piano duos
653
$a
Rehearsal strategies
653
$a
Undergraduate students
653
$a
Piano performance
653
$a
Collaborative music
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0413
690
$a
0522
690
$a
0943
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
University of Toronto (Canada).
$b
Music.
$3
3175528
773
0
$t
Dissertations Abstracts International
$g
84-12A.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30247146
$z
click for full text (PQDT)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9486923
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入