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Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Interpreting the Journey of Orpheus :/
Reminder of title:
An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
Author:
Dycus, Sydney Alex.
Description:
1 online resource (69 pages)
Notes:
Source: Masters Abstracts International, Volume: 78-08.
Contained By:
Masters Abstracts International78-08.
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10241629click for full text (PQDT)
ISBN:
9781369609745
Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
Dycus, Sydney Alex.
Interpreting the Journey of Orpheus :
An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries. - 1 online resource (69 pages)
Source: Masters Abstracts International, Volume: 78-08.
Thesis (M.M.)--Southern Illinois University at Carbondale, 2016.
Includes bibliographical references
This thesis presents the myth of Orpheus through each century of opera. Beginning with Claudio Monteverdi's L'Orfeo in 1607, followed by Christoph Gluck's Orfeo ed Euridice, Jacques Offenbach's Orphee aux Enfers, Philip Glass's Orphee, and finally, Ricky Ian Gordon's Orpheus and Euridice in 2001. Through the analysis of plot changes, gender characteristics, and the symbolism of these five operas, the elements that have made Orpheus one of the most prominent figures in opera will be explored.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781369609745Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
EurydiceIndex Terms--Genre/Form:
542853
Electronic books.
Interpreting the Journey of Orpheus : = An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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An Exploration of Five Operas Based on the Myth of Orpheus Over Four Centuries.
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Advisor: Worthen, Douglas.
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Thesis (M.M.)--Southern Illinois University at Carbondale, 2016.
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Includes bibliographical references
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This thesis presents the myth of Orpheus through each century of opera. Beginning with Claudio Monteverdi's L'Orfeo in 1607, followed by Christoph Gluck's Orfeo ed Euridice, Jacques Offenbach's Orphee aux Enfers, Philip Glass's Orphee, and finally, Ricky Ian Gordon's Orpheus and Euridice in 2001. Through the analysis of plot changes, gender characteristics, and the symbolism of these five operas, the elements that have made Orpheus one of the most prominent figures in opera will be explored.
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click for full text (PQDT)
based on 0 review(s)
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W9486860
電子資源
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