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The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Ebb and Flow of Cultural Romanticism :/
其他題名:	Popular Culture as Propaganda in Modern China.
作者:	Wang, Lei.
面頁冊數:	1 online resource (217 pages)
附註:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
標題:	History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30671367click for full text (PQDT)
ISBN:	9798380067515

The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.
Wang, Lei.

The Ebb and Flow of Cultural Romanticism :Popular Culture as Propaganda in Modern China. - 1 online resource (217 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--The University of Toledo, 2023.

Includes bibliographical references

This dissertation examines the intersections between Chinese popular culture and propaganda from 1927 to 1991. I argue that the Party's propaganda changed as the relationships between the CCP, the state, and the individual underwent significant transformations. This study begins with China's revolutionary period from 1927 to 1949, the CCP used folk music, folk dance, comics, and operas to advance wartime propaganda and promote the CCP's policies. In the Maoist period from 1949 to 1976, the Chinese government pivoted away from the rural revolution towards a nationwide revolutionary socialism. At this time, the Party and Mao Zedong used state-control of popular culture, including Soviet literature and movies, Chinese movies, and Yangbanxi (the revolutionary model performances), to mobilize Chinese people to participate in mass campaigns and the cult of Mao. In the Deng Xiaoping era from 1978 to 1991, the Party shifted away from revolutionary socialism and emphasized individualism and emotions in literature, music, movies, and television dramas. Deng's overarching goal was to end poverty in China by encouraging Chinese people to embrace consumerism. During the same period, China fought a border war with Vietnam, and Chinese wartime propaganda relied heavily on popular culture to convey messages to the Chinese people related to individualism, nationalism, sacrifice, and empathy.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798380067515Subjects--Topical Terms:

516518
History.
Subjects--Index Terms:

ChinaIndex Terms--Genre/Form:

542853
Electronic books.

The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.
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520 $a This dissertation examines the intersections between Chinese popular culture and propaganda from 1927 to 1991. I argue that the Party's propaganda changed as the relationships between the CCP, the state, and the individual underwent significant transformations. This study begins with China's revolutionary period from 1927 to 1949, the CCP used folk music, folk dance, comics, and operas to advance wartime propaganda and promote the CCP's policies. In the Maoist period from 1949 to 1976, the Chinese government pivoted away from the rural revolution towards a nationwide revolutionary socialism. At this time, the Party and Mao Zedong used state-control of popular culture, including Soviet literature and movies, Chinese movies, and Yangbanxi (the revolutionary model performances), to mobilize Chinese people to participate in mass campaigns and the cult of Mao. In the Deng Xiaoping era from 1978 to 1991, the Party shifted away from revolutionary socialism and emphasized individualism and emotions in literature, music, movies, and television dramas. Deng's overarching goal was to end poverty in China by encouraging Chinese people to embrace consumerism. During the same period, China fought a border war with Vietnam, and Chinese wartime propaganda relied heavily on popular culture to convey messages to the Chinese people related to individualism, nationalism, sacrifice, and empathy.
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