東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Ebb and Flow of Cultural Romanticism :/
Reminder of title:	Popular Culture as Propaganda in Modern China.
Author:	Wang, Lei.
Description:	1 online resource (217 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
Subject:	History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30671367click for full text (PQDT)
ISBN:	9798380067515

The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.
Wang, Lei.

The Ebb and Flow of Cultural Romanticism :Popular Culture as Propaganda in Modern China. - 1 online resource (217 pages)

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--The University of Toledo, 2023.

Includes bibliographical references

This dissertation examines the intersections between Chinese popular culture and propaganda from 1927 to 1991. I argue that the Party's propaganda changed as the relationships between the CCP, the state, and the individual underwent significant transformations. This study begins with China's revolutionary period from 1927 to 1949, the CCP used folk music, folk dance, comics, and operas to advance wartime propaganda and promote the CCP's policies. In the Maoist period from 1949 to 1976, the Chinese government pivoted away from the rural revolution towards a nationwide revolutionary socialism. At this time, the Party and Mao Zedong used state-control of popular culture, including Soviet literature and movies, Chinese movies, and Yangbanxi (the revolutionary model performances), to mobilize Chinese people to participate in mass campaigns and the cult of Mao. In the Deng Xiaoping era from 1978 to 1991, the Party shifted away from revolutionary socialism and emphasized individualism and emotions in literature, music, movies, and television dramas. Deng's overarching goal was to end poverty in China by encouraging Chinese people to embrace consumerism. During the same period, China fought a border war with Vietnam, and Chinese wartime propaganda relied heavily on popular culture to convey messages to the Chinese people related to individualism, nationalism, sacrifice, and empathy.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798380067515Subjects--Topical Terms:

516518
History.
Subjects--Index Terms:

ChinaIndex Terms--Genre/Form:

542853
Electronic books.

The Ebb and Flow of Cultural Romanticism : = Popular Culture as Propaganda in Modern China.
LDR:02778nmm a2200397K 4500 001 2364336
005 20231130104237.5
006 m o d
007 cr mn ---uuuuu
008 241011s2023 xx obm 000 0 eng d
020 $a 9798380067515
035 $a (MiAaPQ)AAI30671367
035 $a (MiAaPQ)OhioLINKtoledo1683205367450819
035 $a AAI30671367
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Wang, Lei. $3 1256221
245 1 4 $a The Ebb and Flow of Cultural Romanticism : $b Popular Culture as Propaganda in Modern China.
264 0 $c 2023
300 $a 1 online resource (217 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Padilla, Roberto, II.
502 $a Thesis (Ph.D.)--The University of Toledo, 2023.
504 $a Includes bibliographical references
520 $a This dissertation examines the intersections between Chinese popular culture and propaganda from 1927 to 1991. I argue that the Party's propaganda changed as the relationships between the CCP, the state, and the individual underwent significant transformations. This study begins with China's revolutionary period from 1927 to 1949, the CCP used folk music, folk dance, comics, and operas to advance wartime propaganda and promote the CCP's policies. In the Maoist period from 1949 to 1976, the Chinese government pivoted away from the rural revolution towards a nationwide revolutionary socialism. At this time, the Party and Mao Zedong used state-control of popular culture, including Soviet literature and movies, Chinese movies, and Yangbanxi (the revolutionary model performances), to mobilize Chinese people to participate in mass campaigns and the cult of Mao. In the Deng Xiaoping era from 1978 to 1991, the Party shifted away from revolutionary socialism and emphasized individualism and emotions in literature, music, movies, and television dramas. Deng's overarching goal was to end poverty in China by encouraging Chinese people to embrace consumerism. During the same period, China fought a border war with Vietnam, and Chinese wartime propaganda relied heavily on popular culture to convey messages to the Chinese people related to individualism, nationalism, sacrifice, and empathy.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a History. $3 516518
650 4 $a Modern history. $3 2122829
653 $a China
653 $a Propaganda
653 $a Comics
653 $a Empathy
653 $a War
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0582
690 $a 0578
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a The University of Toledo. $b History. $3 3286941
773 0 $t Dissertations Abstracts International $g 85-02A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30671367 $z click for full text (PQDT)