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Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 : = A Performer's Guide.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 :/
Reminder of title:	A Performer's Guide.
Author:	MacLean, Hannah Ruth.
Description:	1 online resource (61 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-09, Section: A.
Contained By:	Dissertations Abstracts International84-09A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29399899click for full text (PQDT)
ISBN:	9798377619413

Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 : = A Performer's Guide.
MacLean, Hannah Ruth.

Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 :A Performer's Guide. - 1 online resource (61 pages)

Source: Dissertations Abstracts International, Volume: 84-09, Section: A.

Thesis (D.M.)--The Florida State University, 2022.

Includes bibliographical references

This treatise presents Leos Janacek's Sonata for Violin and Piano and George Enescu's Sonata for Violin and Piano No. 3, Op. 25 "dans le caractere populaire Roumain" with a focus on indigenous elements and vocal influences, in order to guide a violin-piano duo's musical interpretation. Chapter One presents Janacek's speech-melody theory and connects it to his use of interruptive motifs and rhythmic irregularities in the sonata. It also describes the vital role and influence of the cimbalom in Moravian indigenous music as well as Janacek's replication of its textures throughout the piece. Chapter Two introduces musical elements of the Romani lautari style and examines Enescu's portrayal of "le caractere populaire Roumain" through the lenses of rhythmic complexity, elaborate violinistic ornamentation, and unique sound colors that imitate lautari instruments. This treatise serves as a guide to help performing musicians craft an informed, artistic interpretation of these two sonatas, and offers suggestions for practice, rehearsal, and performance.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798377619413Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

George EnescuIndex Terms--Genre/Form:

542853
Electronic books.

Vocal and Indigenous Influences in LEOS JANACEk's Sonata for Violin and Piano and George Enescu's Sonata No. 3 for Violin and Piano, Op. 25 : = A Performer's Guide.
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520 $a This treatise presents Leos Janacek's Sonata for Violin and Piano and George Enescu's Sonata for Violin and Piano No. 3, Op. 25 "dans le caractere populaire Roumain" with a focus on indigenous elements and vocal influences, in order to guide a violin-piano duo's musical interpretation. Chapter One presents Janacek's speech-melody theory and connects it to his use of interruptive motifs and rhythmic irregularities in the sonata. It also describes the vital role and influence of the cimbalom in Moravian indigenous music as well as Janacek's replication of its textures throughout the piece. Chapter Two introduces musical elements of the Romani lautari style and examines Enescu's portrayal of "le caractere populaire Roumain" through the lenses of rhythmic complexity, elaborate violinistic ornamentation, and unique sound colors that imitate lautari instruments. This treatise serves as a guide to help performing musicians craft an informed, artistic interpretation of these two sonatas, and offers suggestions for practice, rehearsal, and performance.
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538 $a Mode of access: World Wide Web
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