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The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony :/
Reminder of title:
Exploring Tonal Structure in the New Romantic Style.
Author:
McDermott, Liam J.
Description:
1 online resource (125 pages)
Notes:
Source: Masters Abstracts International, Volume: 83-11.
Contained By:
Masters Abstracts International83-11.
Subject:
Composers. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29239021click for full text (PQDT)
ISBN:
9798438765561
The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
McDermott, Liam J.
The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony :
Exploring Tonal Structure in the New Romantic Style. - 1 online resource (125 pages)
Source: Masters Abstracts International, Volume: 83-11.
Thesis (M.A.)--The University of Western Ontario (Canada), 2022.
Includes bibliographical references
A reoccurring discussion found when referring to the sonata forms of Schubert's instrumental music is his use of Romantic lyricism: a characteristic found in the melodic themes of late eighteenth- and early nineteenth-century music. Schubert's use of lyricism has led to an underwhelming reception of his sonata form in his instrumental works. While these discussions are relevant, they overshadow Schubert's understanding of sonata form through his ingenious harmonic relationships and tonal structural pillars. To show how Schubert's use of lyricism in the foreground of the music does not compromise the thematic progress of his sonata form at a deeper layer of tonal structure, I will analyze the sonata form movements in his Great C-Major Symphony. These analyses demonstrate how Schubert keeps the structural pillars found in traditional sonata form, revealing his repetitive use of lyricism in his themes as individual and memorable foreground elements in the sonata-form genre.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798438765561Subjects--Topical Terms:
625471
Composers.
Index Terms--Genre/Form:
542853
Electronic books.
The Classical Sonata Forms of Franz Schubert's Great C-Major Symphony : = Exploring Tonal Structure in the New Romantic Style.
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Exploring Tonal Structure in the New Romantic Style.
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Source: Masters Abstracts International, Volume: 83-11.
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A reoccurring discussion found when referring to the sonata forms of Schubert's instrumental music is his use of Romantic lyricism: a characteristic found in the melodic themes of late eighteenth- and early nineteenth-century music. Schubert's use of lyricism has led to an underwhelming reception of his sonata form in his instrumental works. While these discussions are relevant, they overshadow Schubert's understanding of sonata form through his ingenious harmonic relationships and tonal structural pillars. To show how Schubert's use of lyricism in the foreground of the music does not compromise the thematic progress of his sonata form at a deeper layer of tonal structure, I will analyze the sonata form movements in his Great C-Major Symphony. These analyses demonstrate how Schubert keeps the structural pillars found in traditional sonata form, revealing his repetitive use of lyricism in his themes as individual and memorable foreground elements in the sonata-form genre.
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click for full text (PQDT)
based on 0 review(s)
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