Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Linked to FindBook
Google Book
Amazon
博客來
A dancing paradox : = Oral histories of dance pedagogy.
Record Type:
Electronic resources : Monograph/item
Title/Author:
A dancing paradox :/
Reminder of title:
Oral histories of dance pedagogy.
Author:
Anderson, Stephanie Marie.
Description:
1 online resource (142 pages)
Notes:
Source: Masters Abstracts International, Volume: 75-09.
Contained By:
Masters Abstracts International75-09.
Subject:
Dance. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1552242click for full text (PQDT)
ISBN:
9781303714764
A dancing paradox : = Oral histories of dance pedagogy.
Anderson, Stephanie Marie.
A dancing paradox :
Oral histories of dance pedagogy. - 1 online resource (142 pages)
Source: Masters Abstracts International, Volume: 75-09.
Thesis (M.A.)--San Jose State University, 2013.
Includes bibliographical references
This research investigates how dancers constitute and make sense of themselves and the worlds they live in through the interstitial, and intersectional processes of remembering. I investigate the following two research questions within this thesis: 1) How do dancers remember their pedagogical experiences in dance studios? 2) What happens to oral histories when they are approached as dances, and when they are literally danced? I frame the first research question within my literature review and I investigate what I call Traditional Western Dance Pedagogy. While the characteristics of Traditional Western Dance Pedagogy are not universal, unchanging, and absolute, they are important markers of the dominant pedagogical practices in dance environments. I frame the second research question within my chapter on method and methodology. My research method moves through five steps. 1) Qualitative In-Depth Interviews. 2) Collaborative Rehearsals. 3) Live Public Performances Question and Answer Sessions. 5) Wrap-up interviews. I discuss how the steps of my method shaped the results of both research questions. I then present the results of both research questions and deconstruct the research. This research was greatly shaped by the intersecting contradictions of past histories, and the productive unplanned tensions that moved each story to the future.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9781303714764Subjects--Topical Terms:
610547
Dance.
Subjects--Index Terms:
Communication studiesIndex Terms--Genre/Form:
542853
Electronic books.
A dancing paradox : = Oral histories of dance pedagogy.
LDR
:02774nmm a2200433K 4500
001
2363725
005
20231127094541.5
006
m o d
007
cr mn ---uuuuu
008
241011s2013 xx obm 000 0 eng d
020
$a
9781303714764
035
$a
(MiAaPQ)AAI1552242
035
$a
(MiAaPQ)sjsu:10678
035
$a
AAI1552242
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Anderson, Stephanie Marie.
$3
3704501
245
1 2
$a
A dancing paradox :
$b
Oral histories of dance pedagogy.
264
0
$c
2013
300
$a
1 online resource (142 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Masters Abstracts International, Volume: 75-09.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Advisor: Terry, David.
502
$a
Thesis (M.A.)--San Jose State University, 2013.
504
$a
Includes bibliographical references
520
$a
This research investigates how dancers constitute and make sense of themselves and the worlds they live in through the interstitial, and intersectional processes of remembering. I investigate the following two research questions within this thesis: 1) How do dancers remember their pedagogical experiences in dance studios? 2) What happens to oral histories when they are approached as dances, and when they are literally danced? I frame the first research question within my literature review and I investigate what I call Traditional Western Dance Pedagogy. While the characteristics of Traditional Western Dance Pedagogy are not universal, unchanging, and absolute, they are important markers of the dominant pedagogical practices in dance environments. I frame the second research question within my chapter on method and methodology. My research method moves through five steps. 1) Qualitative In-Depth Interviews. 2) Collaborative Rehearsals. 3) Live Public Performances Question and Answer Sessions. 5) Wrap-up interviews. I discuss how the steps of my method shaped the results of both research questions. I then present the results of both research questions and deconstruct the research. This research was greatly shaped by the intersecting contradictions of past histories, and the productive unplanned tensions that moved each story to the future.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
Dance.
$3
610547
650
4
$a
Pedagogy.
$3
2122828
650
4
$a
Communication.
$3
524709
653
$a
Communication studies
653
$a
Dance
653
$a
Interviews
653
$a
Oral histories
653
$a
Paradox
653
$a
Pedagogy
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0378
690
$a
0456
690
$a
0459
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
San Jose State University.
$b
Communication Studies.
$3
1681820
773
0
$t
Masters Abstracts International
$g
75-09.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1552242
$z
click for full text (PQDT)
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9486081
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login