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Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theorizing Sonata Form from the Margins :/
Reminder of title:	The Keyboard Sonata in Eighteenth-Century Spain.
Author:	Espinosa, Bryan Stevens.
Description:	1 online resource (204 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:	Dissertations Abstracts International84-05A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30183463click for full text (PQDT)
ISBN:	9798352933084

Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
Espinosa, Bryan Stevens.

Theorizing Sonata Form from the Margins :The Keyboard Sonata in Eighteenth-Century Spain. - 1 online resource (204 pages)

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (Ph.D.)--University of North Texas, 2022.

Includes bibliographical references

This study describes a set of salient formal norms for the eighteenth-century Spanish keyboard sonata through an application of Hepokoski and Darcy's sonata theory, William Caplin's form-functional theory, and Robert Gjerdingen's schema theory. It finds that particular thematic types, intra-thematic functions, and rhetorical markers characterize this repertoire. In order to trace the development of these norms throughout the eighteenth century, this work is organized into two parts. The first part (Chapters 2 and 3) examines the mid-century Spanish keyboard sonatas of Sebastian de Albero (1722-1756), Joaquin Ojinaga (1719-1789), and their contemporaries. The second part (Chapters 4 and 5) examines the late-century Spanish keyboard sonatas of Manuel Blasco de Nebra (1750-1783) and his contemporaries.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352933084Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

SonataIndex Terms--Genre/Form:

542853
Electronic books.

Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
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500 $a Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
500 $a Advisor: Cubero, Diego.
502 $a Thesis (Ph.D.)--University of North Texas, 2022.
504 $a Includes bibliographical references
520 $a This study describes a set of salient formal norms for the eighteenth-century Spanish keyboard sonata through an application of Hepokoski and Darcy's sonata theory, William Caplin's form-functional theory, and Robert Gjerdingen's schema theory. It finds that particular thematic types, intra-thematic functions, and rhetorical markers characterize this repertoire. In order to trace the development of these norms throughout the eighteenth century, this work is organized into two parts. The first part (Chapters 2 and 3) examines the mid-century Spanish keyboard sonatas of Sebastian de Albero (1722-1756), Joaquin Ojinaga (1719-1789), and their contemporaries. The second part (Chapters 4 and 5) examines the late-century Spanish keyboard sonatas of Manuel Blasco de Nebra (1750-1783) and his contemporaries.
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538 $a Mode of access: World Wide Web
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650 4 $a Music theory. $3 547155
653 $a Sonata
653 $a Sonata form
653 $a Keyboard sonata
653 $a Music of Spain
653 $a Eighteenth century
653 $a Eighteenth-century music
653 $a Sonata theory
653 $a Form functions
653 $a Schema
653 $a Schemata
653 $a Schema Theory
653 $a Keyboard
653 $a Piano
653 $a Albero
653 $a Ojinaga
653 $a Blasco de Nebra
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710 2 $a University of North Texas. $b Division of Music History, Theory, and Ethnomusicology. $3 3288248
773 0 $t Dissertations Abstracts International $g 84-05A.
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