東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Staging Mysteries : = Transnational Medievalist Performance in the Twentieth Century.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Staging Mysteries :/
其他題名:	Transnational Medievalist Performance in the Twentieth Century.
作者:	Neuss, Carla.
面頁冊數:	1 online resource (217 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-01, Section: A.
Contained By:	Dissertations Abstracts International83-01A.
標題:	Theater history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28544569click for full text (PQDT)
ISBN:	9798516934209

Staging Mysteries : = Transnational Medievalist Performance in the Twentieth Century.
Neuss, Carla.

Staging Mysteries :Transnational Medievalist Performance in the Twentieth Century. - 1 online resource (217 pages)

Source: Dissertations Abstracts International, Volume: 83-01, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2021.

Includes bibliographical references

This dissertation traces adapted forms of the medieval mystery cycle tradition within different transnational moments of social, political, and cultural crisis. In redirecting the spiritually didactic aims of medieval performance, the modern mysteries that constitute this project illuminate how medieval theatre functions as an historical imaginary for the transformative potential of performance. This project investigates three twentieth-century adaptations of the medieval mystery cycle tradition: Alexander Scriabin's unfinished multi-genre performance, Mysterium (c. 1910); Jean Paul Sartre's first play, Bariona (1940); and a South African production of the Chester Mystery Cycle, Yiimimangaliso (2000). Chapter 2 demonstrates how Mysterium sought to enact a distinctly medieval imaginary of spiritual unity epitomized by the Russian religious value of sobornost.' In analyzing its Russian Symbolist aesthetics, I argue that the Mysterium was designed phenomenologically to enact social transformation on the eve of the Soviet revolution through "affective atmosphere." Chapter 3 discusses Jean-Paul Sartre's relatively unknown play Bariona as an adaptation of the medieval French nativity play tradition produced during World War II. This chapter situates Bariona within the longstanding tradition of French medievalist performance as a contested political site within the national consciousness. By analyzing its carceral creation in a POW camp, I argue that Bariona enacted a spiritual and liberatory efficacy through the phenomenology of the gaze. Chapter 4 discusses Yiimimangaliso, a South African adaptation of the Middle English Chester Mystery Cycle, as form of post-colonial syncretic theatre. Staged in the wake of apartheid, Yiimimangaliso's disparate domestic and international reception demonstrates how the "unmodern" is exoticized and consumed in both medieval and racialized forms while enacting a new notions of nationhood. Though stemming from vastly different genealogies, these performances converge on their invocation of the medieval mystery as a performed imaginary of cultural and national unity during times of national rupture. By tracing their respective generation and reception, this project argues for the "mystery" as a theatrical modality that seeks to interpellate spectators into new, transformative subjectivities that disrupt binaries between secular and sacred during moments of social, political, and cultural change.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798516934209Subjects--Topical Terms:

2144911
Theater history.
Subjects--Index Terms:

FranceIndex Terms--Genre/Form:

542853
Electronic books.

Staging Mysteries : = Transnational Medievalist Performance in the Twentieth Century.
LDR:03840nmm a2200397K 4500 001 2362146
005 20231027103318.5
006 m o d
007 cr mn ---uuuuu
008 241011s2021 xx obm 000 0 eng d
020 $a 9798516934209
035 $a (MiAaPQ)AAI28544569
035 $a AAI28544569
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Neuss, Carla. $3 3702853
245 1 0 $a Staging Mysteries : $b Transnational Medievalist Performance in the Twentieth Century.
264 0 $c 2021
300 $a 1 online resource (217 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 83-01, Section: A.
500 $a Advisor: Metzger, Sean.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2021.
504 $a Includes bibliographical references
520 $a This dissertation traces adapted forms of the medieval mystery cycle tradition within different transnational moments of social, political, and cultural crisis. In redirecting the spiritually didactic aims of medieval performance, the modern mysteries that constitute this project illuminate how medieval theatre functions as an historical imaginary for the transformative potential of performance. This project investigates three twentieth-century adaptations of the medieval mystery cycle tradition: Alexander Scriabin's unfinished multi-genre performance, Mysterium (c. 1910); Jean Paul Sartre's first play, Bariona (1940); and a South African production of the Chester Mystery Cycle, Yiimimangaliso (2000). Chapter 2 demonstrates how Mysterium sought to enact a distinctly medieval imaginary of spiritual unity epitomized by the Russian religious value of sobornost.' In analyzing its Russian Symbolist aesthetics, I argue that the Mysterium was designed phenomenologically to enact social transformation on the eve of the Soviet revolution through "affective atmosphere." Chapter 3 discusses Jean-Paul Sartre's relatively unknown play Bariona as an adaptation of the medieval French nativity play tradition produced during World War II. This chapter situates Bariona within the longstanding tradition of French medievalist performance as a contested political site within the national consciousness. By analyzing its carceral creation in a POW camp, I argue that Bariona enacted a spiritual and liberatory efficacy through the phenomenology of the gaze. Chapter 4 discusses Yiimimangaliso, a South African adaptation of the Middle English Chester Mystery Cycle, as form of post-colonial syncretic theatre. Staged in the wake of apartheid, Yiimimangaliso's disparate domestic and international reception demonstrates how the "unmodern" is exoticized and consumed in both medieval and racialized forms while enacting a new notions of nationhood. Though stemming from vastly different genealogies, these performances converge on their invocation of the medieval mystery as a performed imaginary of cultural and national unity during times of national rupture. By tracing their respective generation and reception, this project argues for the "mystery" as a theatrical modality that seeks to interpellate spectators into new, transformative subjectivities that disrupt binaries between secular and sacred during moments of social, political, and cultural change.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Theater history. $3 2144911
650 4 $a Medieval literature. $3 3168324
653 $a France
653 $a Medieval mystery cycle
653 $a Phenomenology
653 $a Russia
653 $a Sartre
653 $a South Africa
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0644
690 $a 0297
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of California, Los Angeles. $b Theater and Performance Studies 09A2. $3 2094373
773 0 $t Dissertations Abstracts International $g 83-01A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28544569 $z click for full text (PQDT)