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A Series of Zines for the Room Gallery during a Pandemic.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Series of Zines for the Room Gallery during a Pandemic./
作者:
Hudson, Christine Jereza.
面頁冊數:
1 online resource (10 pages)
附註:
Source: Masters Abstracts International, Volume: 82-02.
Contained By:
Masters Abstracts International82-02.
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27998541click for full text (PQDT)
ISBN:
9798662428461
A Series of Zines for the Room Gallery during a Pandemic.
Hudson, Christine Jereza.
A Series of Zines for the Room Gallery during a Pandemic.
- 1 online resource (10 pages)
Source: Masters Abstracts International, Volume: 82-02.
Thesis (M.F.A.)--University of California, Irvine, 2020.
Includes bibliographical references
This writing assembles itself as a series of zines meant to explore the concepts of a thesis show put on pause during a pandemic. It is not a substitute for a show that might never happen, but instead is a follow-up to an unimaginable situation fully realized and lived through. Using personal narrative and the zine format as tools, the writing examines queerness, porches, karaoke, and the relationships we form as a way to explore alternative methods of how knowledge is passed and exchanged. It cycles through location, place, and time to give form to a body of writing that allows space for what cannot be said, what gets embellished, and what cannot be looked at linearly. It is an attempt at creating a rhetoric that accounts for information that cannot be hyper-visible, that is not so straightforward, and that defies clarification.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798662428461Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
Art bookIndex Terms--Genre/Form:
542853
Electronic books.
A Series of Zines for the Room Gallery during a Pandemic.
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This writing assembles itself as a series of zines meant to explore the concepts of a thesis show put on pause during a pandemic. It is not a substitute for a show that might never happen, but instead is a follow-up to an unimaginable situation fully realized and lived through. Using personal narrative and the zine format as tools, the writing examines queerness, porches, karaoke, and the relationships we form as a way to explore alternative methods of how knowledge is passed and exchanged. It cycles through location, place, and time to give form to a body of writing that allows space for what cannot be said, what gets embellished, and what cannot be looked at linearly. It is an attempt at creating a rhetoric that accounts for information that cannot be hyper-visible, that is not so straightforward, and that defies clarification.
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