東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms = = Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms =/
Reminder of title:	Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
remainder title:	Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
Author:	Sinal, Ozgun.
Description:	1 online resource (109 pages)
Notes:	Source: Masters Abstracts International, Volume: 83-11.
Contained By:	Masters Abstracts International83-11.
Subject:	Musical instruments. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29049819click for full text (PQDT)
ISBN:	9798426858510

Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms = = Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
Sinal, Ozgun.

Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms =Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi. - 1 online resource (109 pages)

Source: Masters Abstracts International, Volume: 83-11.

Thesis (M.F.A.)--Bilkent Universitesi (Turkey), 2015.

Includes bibliographical references

The purpose of this study is to investigate the effect of reverberation time variances on classical singers' [N=30] preferences in individual music practice rooms. The method has combined objective measurements (RT) and perceptual responses of participants. The participant group [N=30] has consisted of five different backgrounds in vocal studies ; EME (early music education) students (N=6), skilled amateurs (N=5), undergraduate singing students (N=6), graduate singing students (N=5), and professionals (N=8). Classical singers has been asked to sing with as high and as low as they could with melisma singing style (in opera singing technique) in three different room settings which had following reverberation times; around 0.6 s, 0.8 s, and 1.0 s. These were the values, which acoustical standards for music schools recommended. The participants have also been asked to sing with three different singing volumes in each room setting. The findings have been analyzed statistically. According to the results, classical singers have preferred the room setting with 0.8 s reverberation time considering their overall experience in three different room settings. Classical singers' perceived singing effort has had a statistically significant relationship with preferred room setting. In addition, it has been found that there is a relationship between preference and background in vocal studies, which means that while experienced classical singers prefer dead conditions to live conditions, unexperienced classical singers prefer live conditions to dead conditions. It has also been found that, according to perceptual responses, experienced classical singers exert less singing effort while less experienced classical singers exert more singing effort in same room conditions.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798426858510Subjects--Topical Terms:

550167
Musical instruments.
Index Terms--Genre/Form:

542853
Electronic books.

Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms = = Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
LDR:04963nmm a2200385K 4500 001 2360838
005 20231015185431.5
006 m o d
007 cr mn ---uuuuu
008 241011s2015 xx obm 000 0 eng d
020 $a 9798426858510
035 $a (MiAaPQ)AAI29049819
035 $a (MiAaPQ)Bilkent_1169328896
035 $a AAI29049819
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Sinal, Ozgun. $3 3701474
245 1 0 $a Effects of Reverberation Time on Classical Singers' Preferences upon Music Practice Rooms = $b Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
246 3 1 $a Klasik Sancilarin Muzik Calisma Odasi Tercihlerine Cinlama Suresinin Etkisi.
264 0 $c 2015
300 $a 1 online resource (109 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 83-11.
500 $a Advisor: Yilmazer, Semiha.
502 $a Thesis (M.F.A.)--Bilkent Universitesi (Turkey), 2015.
504 $a Includes bibliographical references
520 $a The purpose of this study is to investigate the effect of reverberation time variances on classical singers' [N=30] preferences in individual music practice rooms. The method has combined objective measurements (RT) and perceptual responses of participants. The participant group [N=30] has consisted of five different backgrounds in vocal studies ; EME (early music education) students (N=6), skilled amateurs (N=5), undergraduate singing students (N=6), graduate singing students (N=5), and professionals (N=8). Classical singers has been asked to sing with as high and as low as they could with melisma singing style (in opera singing technique) in three different room settings which had following reverberation times; around 0.6 s, 0.8 s, and 1.0 s. These were the values, which acoustical standards for music schools recommended. The participants have also been asked to sing with three different singing volumes in each room setting. The findings have been analyzed statistically. According to the results, classical singers have preferred the room setting with 0.8 s reverberation time considering their overall experience in three different room settings. Classical singers' perceived singing effort has had a statistically significant relationship with preferred room setting. In addition, it has been found that there is a relationship between preference and background in vocal studies, which means that while experienced classical singers prefer dead conditions to live conditions, unexperienced classical singers prefer live conditions to dead conditions. It has also been found that, according to perceptual responses, experienced classical singers exert less singing effort while less experienced classical singers exert more singing effort in same room conditions.
520 $a Bu calismanin amaci muzik calisma odalarindaki cinlama suresi degisikliklerinin klasik sancilarin tercihlerine etkisini incelemektir. Uygulanan yontem, nesnel olcumleri ve katilimcilarin algisal cevaplarini bir araya getirmistir. Katilimci grubu [N=30], ses calismalarinda bes farkli ozgecmise sahip kisilerden; erken muzik egitimi ogrencileri (N=6), yetenekli amatorler (N=5), universite ogrencileri (N=6), yuksek lisans ogrencileri (N=5) ve profesyonel opera sanatcilarindan (N=8) olusturulmustur. Klasik sancilardan, cinlama suresi 0.6 s, 0.8 s ve 1.0 s dolaylarinda olan oda ortamlarinda tekli heceler halinde opera teknigiyle cikarabildikleri en bas ve tiz sesleri icerecek sekilde ses alistirmasi yapmalari istenmistir. Soz konusu cinlama sureleri ise muzik okullari icin standartlarin onerdigi degerlerden olusmaktadir. Katilimcilardan ayni zamanda bu alistirmayi uc farkli sarki soyleme siddetinde tekrarlamalari istenmistir. Istatistiksel veriler analiz edilmistir. Buna gore, klasik sancilar, soz konusu uc farkli oda ortamindaki genel performanslarini degerlendirerek, calismak istedikleri oda ortamini cinlama suresini 0.8 s dolaylarinda tercih etmistir. Klasik sancilarin algilanan ses eforlari ve tercih ettikleri oda ortami arasinda istatistiksel olarak anlamli bir iliski bulunmustur. Buna ek olarak, saptanmistir ki oda ortami tercihi ile ses calismalarindaki ozgecmis arasinda da iliski vardir. Buna gore, tecrubeli klasik sancilar cansiz kosullari canli kosullara; tecrubesiz klasik sancilar ise canli kosullari cansiz kosullara tercih etmistir. Ayrica, bulunmustur ki, algisal cevaplara gore tecrubeli klasik sancilar, ayni oda kosullarinda tecrubesiz klasik sancilara gore daha az efor sarf etmistir.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Musical instruments. $3 550167
650 4 $a Design. $3 518875
650 4 $a Perceptions. $3 3435328
650 4 $a Musicians & conductors. $3 3556280
650 4 $a Music. $3 516178
650 4 $a Music education. $3 3168367
650 4 $a Performing arts education. $3 3173434
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0389
690 $a 0413
690 $a 0522
690 $a 0457
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Bilkent Universitesi (Turkey). $3 1919057
773 0 $t Masters Abstracts International $g 83-11.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29049819 $z click for full text (PQDT)