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Self-Closure Through Self-Disclosure : = Rethinking "Women's Literature" in 1990s China.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Self-Closure Through Self-Disclosure :/
其他題名:	Rethinking "Women's Literature" in 1990s China.
作者:	Zheng, Tianyi.
面頁冊數:	1 online resource (132 pages)
附註:	Source: Masters Abstracts International, Volume: 84-02.
Contained By:	Masters Abstracts International84-02.
標題:	Feminism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29274199click for full text (PQDT)
ISBN:	9798841566984

Self-Closure Through Self-Disclosure : = Rethinking "Women's Literature" in 1990s China.
Zheng, Tianyi.

Self-Closure Through Self-Disclosure :Rethinking "Women's Literature" in 1990s China. - 1 online resource (132 pages)

Source: Masters Abstracts International, Volume: 84-02.

Thesis (M.A.)--McGill University (Canada), 2021.

Includes bibliographical references

In the cultural realm of 1990s mainland China, "women's literature"(女性文学) rose as a literary genre that attracted much attention. In its upsurge, there are ambiguities and biases lying in the academic discussion as well as the commodification of the idea of "women's literature." Focusing on this cultural phenomenon, this thesis investigates the politics behind this central concept's signifying process, especially how the 1990s literary critique created boundaries and ambiguities for this key notion. To posit the research in the larger background, this thesis also examines the multilayered socialist and post-socialist Chinese context on which the production of this genre is grounded. In the 1990s discussion, two works were oftentimes considered as representatives of "women's literature," A Private Life (私人生活)and A War of One's Own(一个人的战争). Therefore, this thesis also seeks to propose an alternative way to the 1990s critique by reading them as the writing of a gendered personal history, which aims to present female protagonists' self-closure through self-disclosure.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798841566984Subjects--Topical Terms:

526785
Feminism.
Index Terms--Genre/Form:

542853
Electronic books.

Self-Closure Through Self-Disclosure : = Rethinking "Women's Literature" in 1990s China.
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500 $a Source: Masters Abstracts International, Volume: 84-02.
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502 $a Thesis (M.A.)--McGill University (Canada), 2021.
504 $a Includes bibliographical references
520 $a In the cultural realm of 1990s mainland China, "women's literature"(女性文学) rose as a literary genre that attracted much attention. In its upsurge, there are ambiguities and biases lying in the academic discussion as well as the commodification of the idea of "women's literature." Focusing on this cultural phenomenon, this thesis investigates the politics behind this central concept's signifying process, especially how the 1990s literary critique created boundaries and ambiguities for this key notion. To posit the research in the larger background, this thesis also examines the multilayered socialist and post-socialist Chinese context on which the production of this genre is grounded. In the 1990s discussion, two works were oftentimes considered as representatives of "women's literature," A Private Life (私人生活)and A War of One's Own(一个人的战争). Therefore, this thesis also seeks to propose an alternative way to the 1990s critique by reading them as the writing of a gendered personal history, which aims to present female protagonists' self-closure through self-disclosure.
520 $a Dans le domaine culturel de la Chine continentale des annees 1990, la « litterature feminine » (女性文学) est devenue un genre litteraire qui a beaucoup attire l'attention. Dans son essor, il y a des ambiguites et des prejuges dans la discussion academique ainsi que la marchandisation de l'idee de « litterature feminine ». Axee sur ce phenomene culturel, cette these etudie la politique derriere le processus signifiant de le concept central, en particulier comment la critique litteraire des annees 1990 a cree des limites et des ambiguites pour cette notion cle. Pour situer la recherche dans le contexte plus large, cette these examine egalement le contexte socialiste et post-socialiste chinois a plusieurs niveaux sur lequel la production de ce genre est fondee. Dans le debat des annees 1990, deux oeuvres etaient souvent considerees comme des representantes de la « litterature feminine », Une Vie Privee (私人生活) et Une Guerre a Soi(一个人的战争). Par consequent, cette these cherche egalement a proposer une voie alternative a la critique des annees 1990 en les lisant comme l'ecriture d'une histoire personnelle genre, qui vise a presenter l'auto-fermeture des protagonistes feminines par l'auto-divulgation.
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538 $a Mode of access: World Wide Web
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650 4 $a Patriarchy. $3 528849
650 4 $a Socialism. $3 528529
650 4 $a Gender identity. $3 523751
650 4 $a Critics. $3 717430
650 4 $a Asian studies. $3 1571829
650 4 $a Gender studies. $3 2122708
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650 4 $a Womens studies. $3 2122688
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710 2 $a McGill University (Canada). $3 1018122
773 0 $t Masters Abstracts International $g 84-02.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29274199 $z click for full text (PQDT)