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That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.

Record Type:	Electronic resources : Monograph/item
Title/Author:	That Sound in Your Head :/
Reminder of title:	Guitar Tone Values in the Entrepreneurial Age.
Author:	Brounley, David Matthew.
Description:	1 online resource (196 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Contained By:	Dissertations Abstracts International84-02A.
Subject:	Music history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208805click for full text (PQDT)
ISBN:	9798837533563

That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.
Brounley, David Matthew.

That Sound in Your Head :Guitar Tone Values in the Entrepreneurial Age. - 1 online resource (196 pages)

Source: Dissertations Abstracts International, Volume: 84-02, Section: A.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2022.

Includes bibliographical references

This dissertation investigates the ways that guitar sounds are packaged, valued, and folded into musician subjectivity in the early twenty-first century United States. Based on a multi-year ethnographic project at New York city musical instrument store, I argue that the sonic logics that have emerged in guitarist consumer culture are framed by the entrepreneurial values associated with neoliberal ideology. Through interactions in stores, popular media, and in everyday conversations concerning sound, many guitarists consider it a responsibility to produce unique sounds that represent their personality. These composite sounds, usually described as a player's "Tone," are often likened to sonic fingerprints in both industry literature and casual conversations. Drawing off the importance of this term within guitarist consumer culture, I theorize Tone as a sonic epistemology grounded in the logic and ethics entrepreneurial values.The musical instrument shop is an important fixture in many twenty-first century American musicians' lives, and yet it has been underexamined by scholars interested in music and capitalism. Indeed, many of the musicians I have interviewed claim to attribute their sonic fluency and self-perceived status as musical connoisseurs through interactions in these spaces, therefore I find it important to give them proper attention. As I recount interactions and interview, I investigate the cosmopolitan discourse-network the sales floor engenders. It is an useful space to study long-standing questions in musicology and music theory, for instance the economization of sound, the linguistics of timbral experience, and community building amongst amateur musicians.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798837533563Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Guitar toneIndex Terms--Genre/Form:

542853
Electronic books.

That Sound in Your Head : = Guitar Tone Values in the Entrepreneurial Age.
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500 $a Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
500 $a Advisor: Tausig, Benjamin.
502 $a Thesis (Ph.D.)--State University of New York at Stony Brook, 2022.
504 $a Includes bibliographical references
520 $a This dissertation investigates the ways that guitar sounds are packaged, valued, and folded into musician subjectivity in the early twenty-first century United States. Based on a multi-year ethnographic project at New York city musical instrument store, I argue that the sonic logics that have emerged in guitarist consumer culture are framed by the entrepreneurial values associated with neoliberal ideology. Through interactions in stores, popular media, and in everyday conversations concerning sound, many guitarists consider it a responsibility to produce unique sounds that represent their personality. These composite sounds, usually described as a player's "Tone," are often likened to sonic fingerprints in both industry literature and casual conversations. Drawing off the importance of this term within guitarist consumer culture, I theorize Tone as a sonic epistemology grounded in the logic and ethics entrepreneurial values.The musical instrument shop is an important fixture in many twenty-first century American musicians' lives, and yet it has been underexamined by scholars interested in music and capitalism. Indeed, many of the musicians I have interviewed claim to attribute their sonic fluency and self-perceived status as musical connoisseurs through interactions in these spaces, therefore I find it important to give them proper attention. As I recount interactions and interview, I investigate the cosmopolitan discourse-network the sales floor engenders. It is an useful space to study long-standing questions in musicology and music theory, for instance the economization of sound, the linguistics of timbral experience, and community building amongst amateur musicians.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Music history. $3 3342382
650 4 $a Music theory. $3 547155
650 4 $a Music. $3 516178
653 $a Guitar tone
653 $a Musical instrument industry
653 $a Neoliberalism
653 $a Retail ethnography
653 $a Sonic value
653 $a Sound studies
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690 $a 0208
690 $a 0221
690 $a 0413
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710 2 $a State University of New York at Stony Brook. $b Music. $3 3277724
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