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The Qin and Literati Culture in Song China.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Qin and Literati Culture in Song China./
Author:	Zhang, Meimei.
Description:	1 online resource (212 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Contained By:	Dissertations Abstracts International81-03A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22617569click for full text (PQDT)
ISBN:	9781085696142

The Qin and Literati Culture in Song China.
Zhang, Meimei.

The Qin and Literati Culture in Song China. - 1 online resource (212 pages)

Source: Dissertations Abstracts International, Volume: 81-03, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2019.

Includes bibliographical references

My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. This dissertation argues that in the Song dynasty, the configuration of aesthetic sensitivities, poetic appeal and philosophical implications that literati imparted to the qin reached its mature form, which set a paradigm for later periods. The qin not only served as an object of literary representation, but also a primary medium through which literati's full-fledged image as a person with comprehensive talents was formed.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781085696142Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

CultureIndex Terms--Genre/Form:

542853
Electronic books.

The Qin and Literati Culture in Song China.
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500 $a Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
500 $a Advisor: Schaberg, David; Duthie, Torquil.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2019.
504 $a Includes bibliographical references
520 $a My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. This dissertation argues that in the Song dynasty, the configuration of aesthetic sensitivities, poetic appeal and philosophical implications that literati imparted to the qin reached its mature form, which set a paradigm for later periods. The qin not only served as an object of literary representation, but also a primary medium through which literati's full-fledged image as a person with comprehensive talents was formed.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Asian literature. $3 2122707
653 $a Culture
653 $a Literati
653 $a Literature
653 $a Music
653 $a Song dynasty
653 $a The Qin
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690 $a 0305
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710 2 $a University of California, Los Angeles. $b Asian Languages & Cultures 00A9. $3 2103298
773 0 $t Dissertations Abstracts International $g 81-03A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22617569 $z click for full text (PQDT)