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The Platformization of TikTok : = Examining TikTok's Boundary Resources.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Platformization of TikTok :/
其他題名:
Examining TikTok's Boundary Resources.
作者:
Mahetaji, Kaushar.
面頁冊數:
1 online resource (137 pages)
附註:
Source: Masters Abstracts International, Volume: 84-05.
Contained By:
Masters Abstracts International84-05.
標題:
Multimedia communications. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29391014click for full text (PQDT)
ISBN:
9798357547811
The Platformization of TikTok : = Examining TikTok's Boundary Resources.
Mahetaji, Kaushar.
The Platformization of TikTok :
Examining TikTok's Boundary Resources. - 1 online resource (137 pages)
Source: Masters Abstracts International, Volume: 84-05.
Thesis (M.I.S.)--University of Toronto (Canada), 2022.
Includes bibliographical references
A fast-growing international success, ByteDance's short video platform TikTok is an exceptional case study for examining how digital platforms expand infrastructurally and accumulate power. Unlike most leading social media companies, TikTok is a mobile-first platform (i.e., its web services are auxiliary to its mobile application), and it is not owned by an American or Chinese tech titan-Google, Apple, Facebook (now Meta), Amazon, and Microsoft (GAFAM) or Baidu, Alibaba, and Tencent (BAT) (Kaye, Chen, and Zeng 2021). Yet it has achieved popularity comparable to major players in the social media ecosystem, and now grapples with balancing the interests of end-users with those of 'platform-dependent' institutional actors, including cultural producers. With this thesis, I interrogate how TikTok manages this challenge by studying the platform's evolution through its boundary resources-i.e., the technical tools and informational resources and regulations that facilitate the creation of apps and services in relation to the platform (Eaton et al. 2015). This work serves as a response to calls from media scholars to view platforms as processes and to further social media historiography (Poell, Nieborg, and van Dijck 2019; Helmond and van der Vlist 2019). More specifically, this thesis contributes to the literature on platform studies because it focuses on an understudied aspect of platform power: boundary resources.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798357547811Subjects--Topical Terms:
590562
Multimedia communications.
Subjects--Index Terms:
Boundary resourcesIndex Terms--Genre/Form:
542853
Electronic books.
The Platformization of TikTok : = Examining TikTok's Boundary Resources.
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A fast-growing international success, ByteDance's short video platform TikTok is an exceptional case study for examining how digital platforms expand infrastructurally and accumulate power. Unlike most leading social media companies, TikTok is a mobile-first platform (i.e., its web services are auxiliary to its mobile application), and it is not owned by an American or Chinese tech titan-Google, Apple, Facebook (now Meta), Amazon, and Microsoft (GAFAM) or Baidu, Alibaba, and Tencent (BAT) (Kaye, Chen, and Zeng 2021). Yet it has achieved popularity comparable to major players in the social media ecosystem, and now grapples with balancing the interests of end-users with those of 'platform-dependent' institutional actors, including cultural producers. With this thesis, I interrogate how TikTok manages this challenge by studying the platform's evolution through its boundary resources-i.e., the technical tools and informational resources and regulations that facilitate the creation of apps and services in relation to the platform (Eaton et al. 2015). This work serves as a response to calls from media scholars to view platforms as processes and to further social media historiography (Poell, Nieborg, and van Dijck 2019; Helmond and van der Vlist 2019). More specifically, this thesis contributes to the literature on platform studies because it focuses on an understudied aspect of platform power: boundary resources.
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