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The Fantastic Theater of Chinese Art in the Twentieth Century.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Fantastic Theater of Chinese Art in the Twentieth Century./
Author:	Tang, Kelly Chin.
Description:	1 online resource (365 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-12, Section: A.
Contained By:	Dissertations Abstracts International83-12A.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29060779click for full text (PQDT)
ISBN:	9798802706442

The Fantastic Theater of Chinese Art in the Twentieth Century.
Tang, Kelly Chin.

The Fantastic Theater of Chinese Art in the Twentieth Century. - 1 online resource (365 pages)

Source: Dissertations Abstracts International, Volume: 83-12, Section: A.

Thesis (Ph.D.)--Duke University, 2022.

Includes bibliographical references

The literati stereotype of Modern Chinese Art began as a conservative adaption of Chinese nationalist reform during the early twentieth century. Modern stereotypes provided an intuitive, common-sense way of acting and negotiating the complexities of difference. The Fantastic Theater of Chinese Art in the Twentieth Century chronicles an alternate history of Chinese emigres' embrace of the stereotypical image of literati culture. That stereotype was a modern form of visibility and recognition of Chinese identity. From China to diverse Western locales-Geneva, London, France, New York, and California-the literati stereotype reconciled the dual undesirable conditions of Westerners' absent understanding and negative misunderstanding of China. The stereotype was a positive compromise of optics, expectations, and self-presentation.The visual archive of the literati stereotype examines literati scholars and their associations with learning, philosophy, and ink painting. Sculpture, books, design, advertising, ceramics, photography, architecture, and personal ephemera allow me to assemble a new approach to the artists Zhang Daqian (1899-1983), Lang Jingshan (1892-1995), Zhang Shuqi (1900-1957), Yu Jingzhi (1900-1980), and Wang Jiyuan (1893-1975), to write a different history of the Bollingen Foundation, the lives of the Chew Family and their China Art Center in Carmel, and Mai-mai Sze, the little-known translator of the Mustard Seed Garden Manual of Painting.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798802706442Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Chinese artIndex Terms--Genre/Form:

542853
Electronic books.

The Fantastic Theater of Chinese Art in the Twentieth Century.
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520 $a The literati stereotype of Modern Chinese Art began as a conservative adaption of Chinese nationalist reform during the early twentieth century. Modern stereotypes provided an intuitive, common-sense way of acting and negotiating the complexities of difference. The Fantastic Theater of Chinese Art in the Twentieth Century chronicles an alternate history of Chinese emigres' embrace of the stereotypical image of literati culture. That stereotype was a modern form of visibility and recognition of Chinese identity. From China to diverse Western locales-Geneva, London, France, New York, and California-the literati stereotype reconciled the dual undesirable conditions of Westerners' absent understanding and negative misunderstanding of China. The stereotype was a positive compromise of optics, expectations, and self-presentation.The visual archive of the literati stereotype examines literati scholars and their associations with learning, philosophy, and ink painting. Sculpture, books, design, advertising, ceramics, photography, architecture, and personal ephemera allow me to assemble a new approach to the artists Zhang Daqian (1899-1983), Lang Jingshan (1892-1995), Zhang Shuqi (1900-1957), Yu Jingzhi (1900-1980), and Wang Jiyuan (1893-1975), to write a different history of the Bollingen Foundation, the lives of the Chew Family and their China Art Center in Carmel, and Mai-mai Sze, the little-known translator of the Mustard Seed Garden Manual of Painting.
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