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From 'Secular' to 'Islamo-Secular' Bangladesh: Mapping the Constitutional Trajectories Through Law, Religion, and Performing Arts.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From 'Secular' to 'Islamo-Secular' Bangladesh: Mapping the Constitutional Trajectories Through Law, Religion, and Performing Arts./
作者:	Chowdhury, Rokeya.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	274 p.
附註:	Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
Contained By:	Dissertations Abstracts International83-04A.
標題:	Secularism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28730988
ISBN:	9798544222101

From 'Secular' to 'Islamo-Secular' Bangladesh: Mapping the Constitutional Trajectories Through Law, Religion, and Performing Arts.
Chowdhury, Rokeya.

From 'Secular' to 'Islamo-Secular' Bangladesh: Mapping the Constitutional Trajectories Through Law, Religion, and Performing Arts. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 274 p.

Source: Dissertations Abstracts International, Volume: 83-04, Section: A.

Thesis (D.C.L.)--McGill University (Canada), 2021.

This item must not be sold to any third party vendors.

This thesis studies the constitutional and legal transformation of Bangladesh from a secular democracy (1972) to a secular state with Islam as the state religion, 'Islamo-secularism' (2011). The state claims this self-styled secularity to be congruent to the sensibility of its majority Muslim citizenry, with no practical impact on the legal system. However, Islamists, secularists, as well as others not bracketed by those labels consider this religious-secular identity as an aberration. The majority Muslim attribute driven by cultural essentialism reinforces the stereotypes of 'peace-loving Muslims', 'raging Islamists', and 'anti-Islamic liberals'. This thesis argues that the state invokes the binary of 'Islamism v Secularism' to shield its political convenience and divisive role. In order to deconstruct these static identities, the thesis studies performing arts as a field of contesting identity markers of the people of Bangladesh. Different genres of performing arts, both religious and non-religious, portray day-to-day lived relations of people, their hopes, aspirations, and ethos. Therefore studying performing arts in conjunction with the political and legal trajectories leading to Islamo-secularism allows this thesis to comprehensively map the changing public sphere in Bangladesh. It identifies how Islamo-secularism directly impacts the society and legal system and how Islamists and secularists are constituted and rooted in Bangladesh. The thesis concludes that Islamo-secularism though not tantamount to theocracy, erodes the constitutional guarantee of equality and dignity for all citizens regardless of religious belief. While the thesis does not aim to provide a way out from the crossroad of Islamo-secularism, it attempts to transcend the boundary of otherness by engaging with divergent performing arts.

ISBN: 9798544222101Subjects--Topical Terms:

660507
Secularism.

From 'Secular' to 'Islamo-Secular' Bangladesh: Mapping the Constitutional Trajectories Through Law, Religion, and Performing Arts.
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500 $a Source: Dissertations Abstracts International, Volume: 83-04, Section: A.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis studies the constitutional and legal transformation of Bangladesh from a secular democracy (1972) to a secular state with Islam as the state religion, 'Islamo-secularism' (2011). The state claims this self-styled secularity to be congruent to the sensibility of its majority Muslim citizenry, with no practical impact on the legal system. However, Islamists, secularists, as well as others not bracketed by those labels consider this religious-secular identity as an aberration. The majority Muslim attribute driven by cultural essentialism reinforces the stereotypes of 'peace-loving Muslims', 'raging Islamists', and 'anti-Islamic liberals'. This thesis argues that the state invokes the binary of 'Islamism v Secularism' to shield its political convenience and divisive role. In order to deconstruct these static identities, the thesis studies performing arts as a field of contesting identity markers of the people of Bangladesh. Different genres of performing arts, both religious and non-religious, portray day-to-day lived relations of people, their hopes, aspirations, and ethos. Therefore studying performing arts in conjunction with the political and legal trajectories leading to Islamo-secularism allows this thesis to comprehensively map the changing public sphere in Bangladesh. It identifies how Islamo-secularism directly impacts the society and legal system and how Islamists and secularists are constituted and rooted in Bangladesh. The thesis concludes that Islamo-secularism though not tantamount to theocracy, erodes the constitutional guarantee of equality and dignity for all citizens regardless of religious belief. While the thesis does not aim to provide a way out from the crossroad of Islamo-secularism, it attempts to transcend the boundary of otherness by engaging with divergent performing arts.
520 $a Cette these etudie les transformations constitutionnelles et legislatives qui ont fait passer le Bangladesh d'une democratie laique (1972) a un Etat laic dont l'Islam est la religion d'Etat, soit une « Islamo-laicite » (2011). L'Etat avance que cette conception unique de la laicite s'accorde a la sensibilite de sa population, majoritairement musulmane, et n'a aucun effet concret sur son systeme judiciaire. Cependant, les islamistes, les partisans de la laicite, ainsi que tous ceux qui ne se retrouvent pas dans ces appellations, considerent que cette etiquette de « religion laique » est une aberration. L'attribution d'une majorite islamique engendre par un essentialisme culturel renforce les stereotypes de « musulmans amoureux de la paix », « d'islamistes violents » et de «liberaux islamophobes ». Cette these entend demontrer que l'Etat invoque la dichotomie « islamisme contre laicite » pour proteger son assise politique et continuer de diviser pour regner. Elle a egalement pour but de deconstruire l'identite figee du peuple bangladais grace a l'etude des arts de la scene comme une remise en cause de cette identite. Plusieurs formes d'arts de la scene, religieux ou non, dressent un tableau des relations humaines, des espoirs, des aspirations et de l'ethos de ce peuple au quotidien. Ainsi, l'etude de ces arts de la scene dans le cadre des decisions politiques et judiciaires ayant mene a l'adoption d'une Islamo-laicite nous permettra de dresser un portrait exhaustif de la vie publique au Bangladesh. Nous determinerons comment l'Islamo-laicite influence directement la societe et le systeme judiciaire, et comment islamistes comme partisans de la laicite sont representes et implantes au Bangladesh. Nous conclurons enfin que l'Islamo-laicite, meme si elle ne constitue pas une theocratie, ecorche la promesse constitutionnelle d'egalite et de dignite pour tous les citoyens, quelles que soient leurs croyances religieuses. Bien que cette these ne vise pas a presenter une solution pour s'extraire de l'Islamo-laicite, elle essaye de depasser les obstacles de l'alterite en s'interessant aux arts de la scene.
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