東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar./
作者:	Enlow, Irene.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	61 p.
附註:	Source: Masters Abstracts International, Volume: 83-03.
Contained By:	Masters Abstracts International83-03.
標題:	English literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28717302
ISBN:	9798538124336

Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
Enlow, Irene.

Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 61 p.

Source: Masters Abstracts International, Volume: 83-03.

Thesis (M.A.)--University of Wyoming, 2021.

This item must not be sold to any third party vendors.

In Julius Caesar, Shakespeare uses Ovidian transformations to emphasize the importance of looking to marginalized figures and victims rather than to violent conquerors for examples of resilience during times of national instability. The key to the play's depiction of such transformations lies in its use of Ovid's Metamorphoses, which is all about transformations of space and bodies. After his death, the play's central character, Julius Caesar, demonstrates a significant affinity with Ovidian women, animals, and landscapes. The non-human and feminine characteristics that Caesar assumes enable him to rise from the dead and participate in the defeat of his assassins. Shakespeare's play uses transformations like Caesar's metamorphosis from a mutilated corpse into a vengeful ghost to explore ideologies of imperialism and patriarchy. Caesar's spectral transgression of the boundaries that divide life and death speaks to the play's larger interest in deconstructing hierarchical divisions of species and gender.

ISBN: 9798538124336Subjects--Topical Terms:

516356
English literature.
Subjects--Index Terms:

Ovid

Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
LDR:02145nmm a2200373 4500 001 2351104
005 20221107085255.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798538124336
035 $a (MiAaPQ)AAI28717302
035 $a AAI28717302
040 $a MiAaPQ $c MiAaPQ
100 1 $a Enlow, Irene. $3 3690653
245 1 0 $a Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 61 p.
500 $a Source: Masters Abstracts International, Volume: 83-03.
500 $a Advisor: Frye, Susan.
502 $a Thesis (M.A.)--University of Wyoming, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a In Julius Caesar, Shakespeare uses Ovidian transformations to emphasize the importance of looking to marginalized figures and victims rather than to violent conquerors for examples of resilience during times of national instability. The key to the play's depiction of such transformations lies in its use of Ovid's Metamorphoses, which is all about transformations of space and bodies. After his death, the play's central character, Julius Caesar, demonstrates a significant affinity with Ovidian women, animals, and landscapes. The non-human and feminine characteristics that Caesar assumes enable him to rise from the dead and participate in the defeat of his assassins. Shakespeare's play uses transformations like Caesar's metamorphosis from a mutilated corpse into a vengeful ghost to explore ideologies of imperialism and patriarchy. Caesar's spectral transgression of the boundaries that divide life and death speaks to the play's larger interest in deconstructing hierarchical divisions of species and gender.
590 $a School code: 0264.
650 4 $a English literature. $3 516356
650 4 $a British & Irish literature. $3 3284317
650 4 $a Gender differences. $3 3548331
650 4 $a Audiences. $3 618475
650 4 $a Animals. $2 fast $3 518809
650 4 $a Roman civilization. $3 3684087
650 4 $a Books. $3 641578
650 4 $a Narratives. $3 3422462
650 4 $a Posthumanism. $3 3514683
650 4 $a Violence. $3 528323
650 4 $a Theater. $3 522973
650 4 $a Metaphor. $3 517074
650 4 $a Mythology. $3 548085
650 4 $a Post traumatic stress disorder. $3 3543866
650 4 $a American culture. $3 3555526
650 4 $a Nature. $3 545102
650 4 $a Trauma. $2 swd $3 1795334
650 4 $a Power. $3 518736
650 4 $a Society. $3 700566
650 4 $a Women. $3 531755
650 4 $a Translations. $3 3562010
650 4 $a Ecocriticism. $3 593784
650 4 $a Deities. $3 3560511
650 4 $a Ghosts. $3 636940
650 4 $a Classical literature. $3 595959
653 $a Ovid
653 $a Shakespeare, William
653 $a Transformation
653 $a Marginalized people
653 $a Victims
690 $a 0593
690 $a 0465
690 $a 0294
710 2 $a University of Wyoming. $b English. $3 1024608
773 0 $t Masters Abstracts International $g 83-03.
790 $a 0264
791 $a M.A.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28717302