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Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet".

Record Type:	Electronic resources : Monograph/item
Title/Author:	Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet"./
Author:	Celi Ramos, Diego Alejandro.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	241 p.
Notes:	Source: Dissertations Abstracts International, Volume: 78-07, Section: A.
Contained By:	Dissertations Abstracts International78-07A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10301774
ISBN:	9781369465020

Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet".
Celi Ramos, Diego Alejandro.

Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet". - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 241 p.

Source: Dissertations Abstracts International, Volume: 78-07, Section: A.

Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2016.

This item must not be added to any third party search indexes.

This dissertation explores the application of polymodality through contrapuntal and homophonic means, combined with heptatonic synthetic scales in jazz composition. The research concentrates on three main areas: polymodality, as developed by Western art composers of the first half of the twentieth century; jazz counterpoint; and heptatonic synthetic scales. The last chapter of the dissertation shows the use of these techniques in the composition of an original jazz suite in four movements for quartet. The appendix contains the complete scores for the entire suite.

ISBN: 9781369465020Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Contemporary jazz

Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet".
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020 $a 9781369465020
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100 1 $a Celi Ramos, Diego Alejandro. $3 3688641
245 1 0 $a Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet".
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 241 p.
500 $a Source: Dissertations Abstracts International, Volume: 78-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Gray, Lawrence W.
502 $a Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2016.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation explores the application of polymodality through contrapuntal and homophonic means, combined with heptatonic synthetic scales in jazz composition. The research concentrates on three main areas: polymodality, as developed by Western art composers of the first half of the twentieth century; jazz counterpoint; and heptatonic synthetic scales. The last chapter of the dissertation shows the use of these techniques in the composition of an original jazz suite in four movements for quartet. The appendix contains the complete scores for the entire suite.
590 $a School code: 0090.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
653 $a Contemporary jazz
653 $a Counterpoint
653 $a Jazz
653 $a Jazz composition
653 $a Polymodality
653 $a Polytonality
653 $a Synthetic scales
690 $a 0413
690 $a 0641
710 2 $a University of Illinois at Urbana-Champaign. $b Music. $3 2105338
773 0 $t Dissertations Abstracts International $g 78-07A.
790 $a 0090
791 $a A.Mus.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10301774