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Freehand Drawing in the Architectural and Urban Design Process = = Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Freehand Drawing in the Architectural and Urban Design Process =/
Reminder of title:	Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis.
Author:	Petkowska-Hankel, Joanna.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	259 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-02, Section: B.
Contained By:	Dissertations Abstracts International83-02B.
Subject:	Urban planning. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28642991
ISBN:	9798522984083

Freehand Drawing in the Architectural and Urban Design Process = = Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis.
Petkowska-Hankel, Joanna.

Freehand Drawing in the Architectural and Urban Design Process =Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 259 p.

Source: Dissertations Abstracts International, Volume: 83-02, Section: B.

Thesis (Ph.D.)--Technische Universitaet Berlin (Germany), 2020.

This item must not be sold to any third party vendors.

The discussion on the use of freehand drawing in the architectural and urban design practice today-in the context of the digital development-is still ongoing. Numerous publications on this topic are based mainly on theoretical expertise, interviews or experiments. Nevertheless, there is a lack of investigation describing the actual use of freehand drawing in a real project.Because of this research gap the author decided to undertake an empirical study using participant observation. The investigation was possible mainly because of the design method (charrette workshop) used by an architectural and urban design office which agreed to have the work on the project in Chicago recorded. The charrette method, pioneered by this office, gathers all parties involved on the site of the project in order to facilitate the discussion, find a satisfactory solution for all parties and intensify the conceptual phase of the design.The aim of the dissertation is to examine those features of freehand drawing which determine its current importance in architectural and urban design.Charrette is a specific design method but in comparison to the conventional conceptual phase of designing taking place in an office the ongoing thinking and communication processes are similar. The drawings generated in Chicago were analyzed and categorized. The categories show their different features: 1) enabling a quick record of information in the pre-phase ("sketchnote"), 2) transformation of an idea into form ("initial sketch"), 3) discussing ideas ("communicating sketch") in order to evolve first thoughts into advanced concepts ("conceptual sketch"), finding mistakes and correcting them ("corrective sketch") and, in the end, presenting "final conceptual drawings" to stakeholders and a wider audience.The findings generally support the notion that, despite digital development, freehand drawing has valuable features, which are particularly visible in the education of architectural and urban design students, conceptual phase of the project and during design workshops. What is more, the dissertation demonstrated that while the use of drawing is being limited in certain aspects of design, it is being increased in others. The study helped establish the most important attribute of freehand drawing that determines the extent of its present use, namely its ambiguity, which stems from nothing other than the freehand nature of this tool.

ISBN: 9798522984083Subjects--Topical Terms:

2122922
Urban planning.

Freehand Drawing in the Architectural and Urban Design Process = = Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis.
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100 1 $a Petkowska-Hankel, Joanna. $3 3688172
245 1 0 $a Freehand Drawing in the Architectural and Urban Design Process = $b Freihandzeichnen in der architektonischen und stadtebaulichen Entwurfspraxis.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 259 p.
500 $a Source: Dissertations Abstracts International, Volume: 83-02, Section: B.
500 $a Advisor: Million, Angela;Gzell, SLawomir.
502 $a Thesis (Ph.D.)--Technische Universitaet Berlin (Germany), 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The discussion on the use of freehand drawing in the architectural and urban design practice today-in the context of the digital development-is still ongoing. Numerous publications on this topic are based mainly on theoretical expertise, interviews or experiments. Nevertheless, there is a lack of investigation describing the actual use of freehand drawing in a real project.Because of this research gap the author decided to undertake an empirical study using participant observation. The investigation was possible mainly because of the design method (charrette workshop) used by an architectural and urban design office which agreed to have the work on the project in Chicago recorded. The charrette method, pioneered by this office, gathers all parties involved on the site of the project in order to facilitate the discussion, find a satisfactory solution for all parties and intensify the conceptual phase of the design.The aim of the dissertation is to examine those features of freehand drawing which determine its current importance in architectural and urban design.Charrette is a specific design method but in comparison to the conventional conceptual phase of designing taking place in an office the ongoing thinking and communication processes are similar. The drawings generated in Chicago were analyzed and categorized. The categories show their different features: 1) enabling a quick record of information in the pre-phase ("sketchnote"), 2) transformation of an idea into form ("initial sketch"), 3) discussing ideas ("communicating sketch") in order to evolve first thoughts into advanced concepts ("conceptual sketch"), finding mistakes and correcting them ("corrective sketch") and, in the end, presenting "final conceptual drawings" to stakeholders and a wider audience.The findings generally support the notion that, despite digital development, freehand drawing has valuable features, which are particularly visible in the education of architectural and urban design students, conceptual phase of the project and during design workshops. What is more, the dissertation demonstrated that while the use of drawing is being limited in certain aspects of design, it is being increased in others. The study helped establish the most important attribute of freehand drawing that determines the extent of its present use, namely its ambiguity, which stems from nothing other than the freehand nature of this tool.
520 $a Im Kontext der Digitalisierung ist die Diskussion uber den Nutzen des Freihandzeichnens in der architektonischen und stadtebaulichen Entwurfspraxis immer noch im Gange. Unzahlige Veroffentlichungen zu diesem Thema beruhen hauptsachlich auf theoretischem Fachwissen, Interviews und Experimenten. Nichtsdestoweniger fehlen Studien, die den eigentlichen Nutzen des Freihandzeichnens am Beispiel wirklicher Projekte beschreiben.Vor dem Hintergrund dieser Forschungslucke wurde eine empirische Studie mittels der teilnehmenden Beobachtung durchgefuhrt. Machbar war die Untersuchung des Projekts in Chicago aufgrund der Entwurfsmethode (Charrette-Workshop) und durch die Zustimmung des Architektur- und Stadtplanungsburos, das sich dieser Methode bedient. Bei der Charrette-Methode werden alle Interessengruppen am Ort des Bauvorhabens versammelt, um den Austausch zwischen ihnen zu vereinfachen, die konzeptionelle Arbeit am Entwurf zu intensivieren und zu einer fur alle Beteiligten zufriedenstellenden Losung zu kommen.Das Ziel dieser Dissertation ist es, die Besonderheiten des Freihandzeichnens, die seine gegenwartige Relevanz im Entwurfsprozess begrunden, zu untersuchen.Das Charrette ist zwar eine spezifische Entwurfsmethode, aber im Vergleich zur konzeptionellen Phase konventionellen Entwerfens im Buro sind die Denk- und Kommunikationsprozesse ahnlich. Die Zeichnungen vom Projekt in Chicago wurden analysiert und kategorisiert. Sie ermoglichen 1) das schnelle Speichern von Informationen vor dem Entwerfen ("sketchnote"), 2) die Umsetzung von Ideen in Formen ("initial sketch"), 3) die Diskussion von Ideen ("communicating sketch"), um erste Gedanken in fortgeschrittene Konzepte weiterzuentwickeln ("conceptual sketch"), Fehler zu finden und diese zu korrigieren ("corrective sketch") und schlieslich die finalen Ideen ("final conceptual drawings") den Interessengruppen und der Offentlichkeit zu prasentieren. Die Ergebnisse stutzen die These, dass trotz der Digitalisierung das Freihandzeichnen uber wertvolle Besonderheiten verfugt, die insbesondere im Studium der Architektur- und Stadtplanung, in der konzeptionellen Entwurfsphase sowie wahrend der Werkstatten sichtbar werden. Die Dissertation hat auch gezeigt, dass dem Zeichnen in einigen Bereichen des Entwerfens Grenzen gesetzt sind, wahrend seine Bedeutung in anderen wachst. Die Untersuchung half dabei, die wichtigste Eigenschaft des Freihandzeichnens herauszustellen, die seine gegenwartige Nutzung bestimmt, namlich seine Ambiguitat, die von nichts anderem als der Natur dieses Werkzeugs herruhrt.
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650 4 $a Cognitive psychology. $3 523881
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710 2 $a Technische Universitaet Berlin (Germany). $3 3480527
773 0 $t Dissertations Abstracts International $g 83-02B.
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28642991